"I look for ambiguity when I'm writing because life is ambiguous"
About this Quote
Keith Richards isn’t romanticizing vagueness; he’s defending a craft choice that doubles as a worldview. “I look for ambiguity” reads like a songwriter’s technique, but the punchline is the justification: “because life is ambiguous.” That little because is doing the heavy lifting. He’s telling you that clean moral math and neat narratives are the artificial part, not the mess.
Coming from a Rolling Stones lifer, the line lands as a quiet rebuke to the demand that artists “take a stance” in tidy, caption-ready terms. Richards came up in an era when lyrics were policed, reputations were tabloid-managed, and rock stars were expected to play either hero or villain. Ambiguity becomes a way to keep control: if the song doesn’t close the case, the listener can’t either. It also protects the work from becoming yesterday’s opinion piece. The best Stones songs thrive on that tension - desire and regret, swagger and dread, devotion and disgust - never fully confessing, never fully absolving.
The subtext is practical, almost blue-collar: ambiguity is realism, but it’s also longevity. A lyric that refuses to over-explain stays playable across decades and different versions of yourself. Richards’ line hints at a deeper ethic too: people are inconsistent, motives are mixed, and anyone claiming perfect clarity is probably selling something. In rock, that’s not evasiveness; it’s honesty with the lights left low.
Coming from a Rolling Stones lifer, the line lands as a quiet rebuke to the demand that artists “take a stance” in tidy, caption-ready terms. Richards came up in an era when lyrics were policed, reputations were tabloid-managed, and rock stars were expected to play either hero or villain. Ambiguity becomes a way to keep control: if the song doesn’t close the case, the listener can’t either. It also protects the work from becoming yesterday’s opinion piece. The best Stones songs thrive on that tension - desire and regret, swagger and dread, devotion and disgust - never fully confessing, never fully absolving.
The subtext is practical, almost blue-collar: ambiguity is realism, but it’s also longevity. A lyric that refuses to over-explain stays playable across decades and different versions of yourself. Richards’ line hints at a deeper ethic too: people are inconsistent, motives are mixed, and anyone claiming perfect clarity is probably selling something. In rock, that’s not evasiveness; it’s honesty with the lights left low.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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