"I look for people who're passionate, dedicated to the text, and in whom I trust completely"
About this Quote
Casting is often sold as alchemy, but Scacchi makes it sound like triage: find the people who will carry the work without making it about themselves. The phrase "dedicated to the text" is the tell. For an actor, "the text" isn’t just lines; it’s the play’s spine, the shared contract that keeps ego, improvisation, and careerist flourish from hijacking the story. She’s staking out a value system that quietly resists a certain kind of star culture, where charisma is treated as permission to rewrite the room.
"Passionate" and "dedicated" are the socially acceptable virtues; "trust completely" is the real demand. Complete trust isn’t romantic here, it’s operational. Film sets and rehearsal rooms are pressure cookers of vulnerability: emotional exposure, physical proximity, power imbalance, endless repetition. Scacchi’s intent is partly protective, partly artistic. She wants collaborators who won’t weaponize intimacy, who won’t treat a scene partner as a prop, who can be relied on to hit the same emotional marks with the same ethical boundaries take after take.
The subtext: talent is negotiable; reliability isn’t. She’s also saying she doesn’t want to direct her colleagues into basic professionalism. If the group is loyal to the text, conflict becomes productive (about choices) rather than personal (about dominance). In a post-#MeToo industry that has had to admit how much "chemistry" can mask coercion, her emphasis on trust reads less like idealism and more like a quietly hard-won standard for doing fearless work safely.
"Passionate" and "dedicated" are the socially acceptable virtues; "trust completely" is the real demand. Complete trust isn’t romantic here, it’s operational. Film sets and rehearsal rooms are pressure cookers of vulnerability: emotional exposure, physical proximity, power imbalance, endless repetition. Scacchi’s intent is partly protective, partly artistic. She wants collaborators who won’t weaponize intimacy, who won’t treat a scene partner as a prop, who can be relied on to hit the same emotional marks with the same ethical boundaries take after take.
The subtext: talent is negotiable; reliability isn’t. She’s also saying she doesn’t want to direct her colleagues into basic professionalism. If the group is loyal to the text, conflict becomes productive (about choices) rather than personal (about dominance). In a post-#MeToo industry that has had to admit how much "chemistry" can mask coercion, her emphasis on trust reads less like idealism and more like a quietly hard-won standard for doing fearless work safely.
Quote Details
| Topic | Team Building |
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