"I look forward to going to work. Everybody is at the top of their game. It was like we just got to play"
About this Quote
Work isn’t supposed to sound like recess, which is exactly why Sanaa Lathan’s line lands: it flips the usual celebrity boilerplate about “the grind” into something almost disarmingly childlike. “I look forward to going to work” is a small rebellion against the cultural script that treats labor as either suffering you monetize or passion you perform for the cameras. She offers a third option: work as the rare space where you’re allowed to be fully alive.
The key is the ensemble. “Everybody is at the top of their game” isn’t just praise; it’s a quiet statement about safety and trust. On a set, competence is emotional infrastructure. When the people around you are sharp, prepared, and generous, you stop bracing for chaos and start taking risks. That’s the subtext under “I look forward” - anticipation born from a room that won’t punish you for trying something.
Then she delivers the real tell: “It was like we just got to play.” Acting is literally called “play,” but Lathan’s phrasing points to a deeper truth about creative work at its best: structured freedom. The stakes are real (time, money, reputation), yet the experience can feel weightless when craft meets chemistry. Culturally, it’s also a corrective to the idea that excellence must be grim. She’s describing a workplace where professionalism doesn’t kill joy; it enables it. That’s not naïve. It’s aspirational - and, in an industry built on stress and hierarchy, quietly radical.
The key is the ensemble. “Everybody is at the top of their game” isn’t just praise; it’s a quiet statement about safety and trust. On a set, competence is emotional infrastructure. When the people around you are sharp, prepared, and generous, you stop bracing for chaos and start taking risks. That’s the subtext under “I look forward” - anticipation born from a room that won’t punish you for trying something.
Then she delivers the real tell: “It was like we just got to play.” Acting is literally called “play,” but Lathan’s phrasing points to a deeper truth about creative work at its best: structured freedom. The stakes are real (time, money, reputation), yet the experience can feel weightless when craft meets chemistry. Culturally, it’s also a corrective to the idea that excellence must be grim. She’s describing a workplace where professionalism doesn’t kill joy; it enables it. That’s not naïve. It’s aspirational - and, in an industry built on stress and hierarchy, quietly radical.
Quote Details
| Topic | Work |
|---|
More Quotes by Sanaa
Add to List




