"I looked at Mick Jagger and Keith Richards and the boys up there thinking, I want to be that"
About this Quote
It is not an epiphany about “music” so much as a snapshot of ambition taking physical shape. Hagar isn’t describing a song that changed his life; he’s describing a tableau: Mick Jagger and Keith Richards “and the boys up there” as a living blueprint of what power looks like when it’s plugged in, amplified, and worshipped. The phrasing is telling. “Looked at” suggests distance and desire, the fan’s vantage point. “Up there” is both literal stage elevation and social elevation, the rock hierarchy made visible. “I want to be that” reduces the dream to pure identity, not craft. Not “I want to play like that” or “write like that,” but become the thing itself: the posture, the swagger, the permission.
The subtext is that rock stardom is contagious because it’s legible. The Rolling Stones weren’t just musicians; they were a role you could try on, a template of masculinity and rebellion that felt attainable if you could get near the microphone. “The boys” also folds the whole band into a myth of camaraderie, suggesting that what’s desirable isn’t only fame but belonging to a visible tribe with a shared code.
Context matters: Hagar came up in an era when British bands rewired American youth culture, turning the stage into a ladder out of anonymity. His line admits something refreshingly unromantic: inspiration can be nakedly aspirational. It’s the moment the fan stops consuming the spectacle and decides to manufacture it.
The subtext is that rock stardom is contagious because it’s legible. The Rolling Stones weren’t just musicians; they were a role you could try on, a template of masculinity and rebellion that felt attainable if you could get near the microphone. “The boys” also folds the whole band into a myth of camaraderie, suggesting that what’s desirable isn’t only fame but belonging to a visible tribe with a shared code.
Context matters: Hagar came up in an era when British bands rewired American youth culture, turning the stage into a ladder out of anonymity. His line admits something refreshingly unromantic: inspiration can be nakedly aspirational. It’s the moment the fan stops consuming the spectacle and decides to manufacture it.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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