"I love artists like Jon B, but I don't wanna be compared to anybody. I'm just doing my interpretation of rnb and how someone like me should be doing it"
About this Quote
There’s a familiar pop-era tightrope in Brian Harvey’s line: praise the elders, refuse the box. Name-dropping Jon B does two jobs at once. It signals taste and lineage - a nod to a specific kind of smooth, melodically driven R&B that leaned romantic and radio-friendly - while immediately disarming the inevitable comparison game that the industry and press love to play. He’s saying: I know the canon, I just don’t want to be trapped inside it.
The real engine here is anxiety about authenticity. Harvey isn’t rejecting influence; he’s rejecting the way comparisons can flatten an artist into a “type,” especially in a genre that polices credibility. “Compared to anybody” isn’t just about ego. It’s about control: who gets to define the narrative, the sound, the identity. Pop musicians - particularly those crossing genre borders or coming from manufactured-group ecosystems - learn quickly that critical reception often arrives as a bracket: the British version, the white version, the teen version. Harvey’s pushback reads like a preemptive defense against being treated as an imitation rather than a participant.
“I’m just doing my interpretation of rnb” is both modest and strategic. It frames his work as translation, not appropriation: a personal dialect of a style with deep cultural stakes. “How someone like me should be doing it” adds the sharpest subtext: he’s aware that “someone like me” carries assumptions (background, accent, image, market positioning). The line is less manifesto than negotiation - a bid to be judged on execution, not origin story.
The real engine here is anxiety about authenticity. Harvey isn’t rejecting influence; he’s rejecting the way comparisons can flatten an artist into a “type,” especially in a genre that polices credibility. “Compared to anybody” isn’t just about ego. It’s about control: who gets to define the narrative, the sound, the identity. Pop musicians - particularly those crossing genre borders or coming from manufactured-group ecosystems - learn quickly that critical reception often arrives as a bracket: the British version, the white version, the teen version. Harvey’s pushback reads like a preemptive defense against being treated as an imitation rather than a participant.
“I’m just doing my interpretation of rnb” is both modest and strategic. It frames his work as translation, not appropriation: a personal dialect of a style with deep cultural stakes. “How someone like me should be doing it” adds the sharpest subtext: he’s aware that “someone like me” carries assumptions (background, accent, image, market positioning). The line is less manifesto than negotiation - a bid to be judged on execution, not origin story.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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