"I love graphic design. I love working with design, and I love storytelling, so I've been working on a children's book for a while, and I'd like to see that through"
About this Quote
There’s a careful kind of self-rebranding happening here: the celebrity voice reaching past the usual spotlight economy and toward craft. Haskell stacks three “I love” declarations like a résumé written in feelings, not credentials. It’s disarmingly earnest, but also strategic. Repetition turns preference into identity: not dabbling, not killing time between gigs, but committing to a creative throughline that sounds cohesive and mature.
The pairing of “graphic design” with “storytelling” is the tell. Design is positioned as more than aesthetics; it’s presented as narrative architecture, a way to control mood, pacing, and meaning. That frames her children’s book not as a vanity project but as a legitimate extension of skill. The phrase “working with design” sidesteps gatekeeping language (degrees, studios, industry pecking order) and leans into process: hands-on, iterative, real.
Then comes the quiet hinge: “for a while.” In celebrity terms, that’s a bid for seriousness. It suggests patience and private labor, the opposite of the fast merch drop. “I’d like to see that through” adds a second layer of subtext: she knows the public expects abandoned projects. She’s preempting skepticism, signaling follow-through as a virtue because follow-through is exactly what fame is assumed to erode.
Context matters: children’s books are a culturally safe lane for public figures - wholesome, legacy-friendly, compatible with nostalgia and parenthood - but also a competitive space where authenticity gets tested. This line tries to clear that bar by foregrounding passion and craft over brand.
The pairing of “graphic design” with “storytelling” is the tell. Design is positioned as more than aesthetics; it’s presented as narrative architecture, a way to control mood, pacing, and meaning. That frames her children’s book not as a vanity project but as a legitimate extension of skill. The phrase “working with design” sidesteps gatekeeping language (degrees, studios, industry pecking order) and leans into process: hands-on, iterative, real.
Then comes the quiet hinge: “for a while.” In celebrity terms, that’s a bid for seriousness. It suggests patience and private labor, the opposite of the fast merch drop. “I’d like to see that through” adds a second layer of subtext: she knows the public expects abandoned projects. She’s preempting skepticism, signaling follow-through as a virtue because follow-through is exactly what fame is assumed to erode.
Context matters: children’s books are a culturally safe lane for public figures - wholesome, legacy-friendly, compatible with nostalgia and parenthood - but also a competitive space where authenticity gets tested. This line tries to clear that bar by foregrounding passion and craft over brand.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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