"I love romantic comedies. They're for me the easiest thing to do and the most natural to do. There's nothing natural about holding an uzi hanging out of a moving van shooting at people. That's not second nature to me, thank God"
About this Quote
Union flips the action-hero fantasy on its head by treating normalcy as the real flex. The line is funny because it’s so blunt: an Uzi dangling out of a moving van isn’t “second nature,” and she’s not even pretending it might be. That “thank God” lands like a quick wink to the audience and a jab at an industry that keeps asking actors to cosplay violence as entertainment’s default language.
Her intent is partly craft-focused and partly political. On the surface, she’s defending romantic comedies as legitimate work: not fluff, not a “guilty pleasure,” but a genre where her instincts actually translate. The subtext is sharper: rom-coms ask for emotional timing, charisma, and vulnerability - skills that often get dismissed because they’re coded as feminine. By contrasting them with gunplay, she exposes how Hollywood routinely frames physical aggression as more “serious,” more “cinematic,” more worthy of prestige and budgets.
The context matters because Union came up in an era when Black actresses were often offered a narrow menu: best friend, hypersexualized side character, or hardened “tough” role. Rom-com leads - especially Black women as the romantic center - have been treated like a risk. So her preference reads as a quiet demand for stories where she gets to be human rather than weaponized, where the stakes are intimacy and choice instead of spectacle. It’s a genre claim, but also a values claim: let me do what’s natural, and maybe rethink what we’ve been trained to call heroic.
Her intent is partly craft-focused and partly political. On the surface, she’s defending romantic comedies as legitimate work: not fluff, not a “guilty pleasure,” but a genre where her instincts actually translate. The subtext is sharper: rom-coms ask for emotional timing, charisma, and vulnerability - skills that often get dismissed because they’re coded as feminine. By contrasting them with gunplay, she exposes how Hollywood routinely frames physical aggression as more “serious,” more “cinematic,” more worthy of prestige and budgets.
The context matters because Union came up in an era when Black actresses were often offered a narrow menu: best friend, hypersexualized side character, or hardened “tough” role. Rom-com leads - especially Black women as the romantic center - have been treated like a risk. So her preference reads as a quiet demand for stories where she gets to be human rather than weaponized, where the stakes are intimacy and choice instead of spectacle. It’s a genre claim, but also a values claim: let me do what’s natural, and maybe rethink what we’ve been trained to call heroic.
Quote Details
| Topic | Movie |
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