"I love singing, and I came to absolutely adore it in the later part of my career"
About this Quote
There is something quietly radical about Julie Andrews framing love of singing as a late-arriving romance, not a lifelong birthright. Coming from the woman whose voice practically became a brand of mid-century optimism, the line nudges against the myth that great performers are simply born certain. It suggests a career built on discipline, expectation, and maybe even duty before joy fully caught up.
The subtext reads like a small act of reclaiming. Andrews spent decades being asked to embody musical perfection: crystal-clear tone, effortless warmth, “the sound of a good childhood.” That public image can turn an art into an obligation. Admitting she only “absolutely adore[d] it” later hints at how performance can be complicated by professionalism: you can be excellent at something long before you feel intimate with it.
Context matters here because Andrews’ relationship to singing wasn’t just artistic; it was physical and vulnerable. After vocal surgery in the late 1990s damaged her voice, she faced a brutal identity shift: the signature instrument was suddenly unreliable. In that light, “later part of my career” lands as hard-won gratitude. Adoration becomes less about applause and more about survival, adaptation, and choosing the craft again after loss.
It also reads as permission-giving for audiences living through second acts. Not every passion arrives on schedule. Sometimes you master the thing first, and only later - after the stakes change - you get to actually love it.
The subtext reads like a small act of reclaiming. Andrews spent decades being asked to embody musical perfection: crystal-clear tone, effortless warmth, “the sound of a good childhood.” That public image can turn an art into an obligation. Admitting she only “absolutely adore[d] it” later hints at how performance can be complicated by professionalism: you can be excellent at something long before you feel intimate with it.
Context matters here because Andrews’ relationship to singing wasn’t just artistic; it was physical and vulnerable. After vocal surgery in the late 1990s damaged her voice, she faced a brutal identity shift: the signature instrument was suddenly unreliable. In that light, “later part of my career” lands as hard-won gratitude. Adoration becomes less about applause and more about survival, adaptation, and choosing the craft again after loss.
It also reads as permission-giving for audiences living through second acts. Not every passion arrives on schedule. Sometimes you master the thing first, and only later - after the stakes change - you get to actually love it.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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