"I love the creating part of taking on a character. It is fun to be another person and create what it would be like to be that person"
About this Quote
Acting, for Jason Dohring, isn’t a spotlight sport; it’s a permission slip to disappear. The line is almost disarmingly plain, but the intent is specific: he’s staking his claim on process over persona. In a culture that sells actors as brands, he frames the job as private play-work, a craft built in the rehearsal room and the imagination, not on a red carpet.
The key word is “creating.” He’s not talking about “finding” a character, as if it’s prewritten and waiting to be uncovered. He’s talking about construction: choices, textures, contradictions. That signals an actor’s mindset that treats performance like design. “Taking on” suggests weight and responsibility, not cosplay. Then he pivots to “fun,” which reads less like frivolity than fuel. Fun is what keeps you curious enough to attempt empathy on command, night after night, take after take.
The subtext is a gentle defense of transformation at a moment when audiences increasingly demand authenticity-as-confession. Dohring’s pleasure comes from leaving the self behind, from testing how another person might move through the world. That’s an old actor’s thrill, but it lands differently now, when “being yourself” has become a professional requirement on social media.
Context matters: Dohring is best known for roles that lean on charisma and moral ambiguity. This quote reframes that appeal not as personal magnetism, but as the product of deliberate, imaginative labor. It’s a reminder that the best performances aren’t diaries; they’re inventions that feel real.
The key word is “creating.” He’s not talking about “finding” a character, as if it’s prewritten and waiting to be uncovered. He’s talking about construction: choices, textures, contradictions. That signals an actor’s mindset that treats performance like design. “Taking on” suggests weight and responsibility, not cosplay. Then he pivots to “fun,” which reads less like frivolity than fuel. Fun is what keeps you curious enough to attempt empathy on command, night after night, take after take.
The subtext is a gentle defense of transformation at a moment when audiences increasingly demand authenticity-as-confession. Dohring’s pleasure comes from leaving the self behind, from testing how another person might move through the world. That’s an old actor’s thrill, but it lands differently now, when “being yourself” has become a professional requirement on social media.
Context matters: Dohring is best known for roles that lean on charisma and moral ambiguity. This quote reframes that appeal not as personal magnetism, but as the product of deliberate, imaginative labor. It’s a reminder that the best performances aren’t diaries; they’re inventions that feel real.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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