"I love the fact that 35 years later, I still hear my songs on the radio"
About this Quote
There is a quiet defiance tucked inside Ronnie Spector's delight at hearing her songs "35 years later". On the surface, it's gratitude: the simple thrill of flipping through stations and catching your own voice drifting out of someone else's speakers. But coming from Spector - a woman whose life was shaped as much by industry control and personal captivity as by pop triumph - the line lands like a reclamation.
The Ronettes' records were built to feel eternal: teenage desire engineered into cathedral-sized sound. Spector's phrasing leans on that miracle without getting sentimental about it. "I love the fact" is plainspoken, almost conversational, as if she refuses to mythologize herself. That understatement matters. It sidesteps the usual oldies-circuit nostalgia and instead points to a harder truth: permanence in pop is rare, and it's rarer still for the people who made the music to survive long enough - emotionally and literally - to witness it.
The radio is doing a lot of work here, too. It's not the curated reverence of a box set or a documentary; it's the indifferent, everyday churn of mass culture. Being played there means the songs aren't just remembered, they're still useful - still hooking new ears, still scoring car rides, still sneaking into lives. After decades of having her story narrated by others, Spector frames legacy as something you can actually hear: proof that the voice got out, and stayed out.
The Ronettes' records were built to feel eternal: teenage desire engineered into cathedral-sized sound. Spector's phrasing leans on that miracle without getting sentimental about it. "I love the fact" is plainspoken, almost conversational, as if she refuses to mythologize herself. That understatement matters. It sidesteps the usual oldies-circuit nostalgia and instead points to a harder truth: permanence in pop is rare, and it's rarer still for the people who made the music to survive long enough - emotionally and literally - to witness it.
The radio is doing a lot of work here, too. It's not the curated reverence of a box set or a documentary; it's the indifferent, everyday churn of mass culture. Being played there means the songs aren't just remembered, they're still useful - still hooking new ears, still scoring car rides, still sneaking into lives. After decades of having her story narrated by others, Spector frames legacy as something you can actually hear: proof that the voice got out, and stayed out.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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