"I love to direct my daughter, and act with her, and we both want to work with Jane again"
About this Quote
The telling move is the pivot to “we both want to work with Jane again.” Jane isn’t identified as “my sister,” because she doesn’t need to be. In the Fonda universe, “Jane” functions as a cultural institution: serious, politically charged, and perpetually recontextualized by the public. Dropping her first name lands like a wink to audience familiarity while also signaling genuine professional respect. It’s less family anecdote than casting wish-list.
The subtext is coalition. Fonda positions himself and his daughter as a unit with shared appetite and agency (“we both want”), implying that creative desire runs both directions; the daughter isn’t merely being “given” opportunities. In an industry that loves to mythologize lone geniuses, he’s arguing for continuity and collaboration, for a kind of intergenerational ensemble. The line reads as warm, but it also does strategic work: it normalizes family collaboration as artistically legitimate and invites viewers to see the Fonda name not as inheritance, but as a set of working relationships still in motion.
Quote Details
| Topic | Daughter |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Fonda, Peter. (2026, January 17). I love to direct my daughter, and act with her, and we both want to work with Jane again. FixQuotes. https://fixquotes.com/quotes/i-love-to-direct-my-daughter-and-act-with-her-and-79360/
Chicago Style
Fonda, Peter. "I love to direct my daughter, and act with her, and we both want to work with Jane again." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/i-love-to-direct-my-daughter-and-act-with-her-and-79360/.
MLA Style (9th ed.)
"I love to direct my daughter, and act with her, and we both want to work with Jane again." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/i-love-to-direct-my-daughter-and-act-with-her-and-79360/. Accessed 18 Feb. 2026.






