"I love to fly. I always wanted to fly. It's been one of my dreams since I was 3 years old. I remember saying to my mom, 3 years old, every day, 'I can fly!' Living on the ninth floor, it was dangerous"
About this Quote
There is a childlike lyricism to Elena Anaya's confession that lands because it refuses to tidy up the messy part. She starts in pure wish-fulfillment mode: flying as freedom, escape velocity, the body unburdened. Then she snaps the reverie with a blunt detail - ninth floor, dangerous - and suddenly the dream has teeth. The line works as a miniature drama: desire, insistence, risk, and the adult narrator watching her younger self with a mix of affection and alarm.
The repetition is doing the heavy lifting. "I love", "I always wanted", "one of my dreams", "every day": the cadence mirrors a kid's obsession, the way a fantasy becomes an identity before it's a plan. And the quoted chant - "I can fly!" - isn't just imagination; it's a kind of self-mythology, the first performance. Coming from an actress, that matters. It's a memory about believing your own lines so intensely you might step off the ledge to prove them.
Subtextually, it sketches how ambition forms: not as a polished goal but as a compulsion that adults around you have to manage. The mother and the ninth-floor apartment imply containment, supervision, the world stepping in to keep a fearless story from becoming a headline. It also nods to the paradox of creative drive: the impulse that makes you soar is often the same one that can hurt you. Anaya isn't just reminiscing; she's admitting that the engine behind artistry can start as a beautiful, reckless delusion.
The repetition is doing the heavy lifting. "I love", "I always wanted", "one of my dreams", "every day": the cadence mirrors a kid's obsession, the way a fantasy becomes an identity before it's a plan. And the quoted chant - "I can fly!" - isn't just imagination; it's a kind of self-mythology, the first performance. Coming from an actress, that matters. It's a memory about believing your own lines so intensely you might step off the ledge to prove them.
Subtextually, it sketches how ambition forms: not as a polished goal but as a compulsion that adults around you have to manage. The mother and the ninth-floor apartment imply containment, supervision, the world stepping in to keep a fearless story from becoming a headline. It also nods to the paradox of creative drive: the impulse that makes you soar is often the same one that can hurt you. Anaya isn't just reminiscing; she's admitting that the engine behind artistry can start as a beautiful, reckless delusion.
Quote Details
| Topic | Adventure |
|---|---|
| Source | Help us find the source |
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