"I loved Peg Bundy. I am so happy that I got to do that. It was really fun"
About this Quote
There is something quietly radical in the way Katey Sagal frames Peg Bundy as a love story instead of a gig. In a single breath, she bypasses the usual actorly hedging about “complicated characters” and lands on a simpler, sharper truth: playing Peg wasn’t just work, it was permission. “I loved Peg Bundy” isn’t nostalgia; it’s a claim of ownership over a role that pop culture often treats as a punchline - the big hair, the leopard print, the relentless sexual confidence.
The subtext is about respect for a character who was designed to be dismissed. Peg was written to antagonize the fantasy of the dutiful sitcom wife, and Sagal’s affection tells you she understood the assignment: make the refusal look joyful. When she says, “I am so happy that I got to do that,” the “that” carries weight. It suggests a specific kind of performance opportunity that doesn’t come around often for women: being loud, lazy, vain, hungry, funny, and still central. Not redeemed. Not punished. Just allowed.
“It was really fun” reads almost defiant in retrospect, because Married... with Children was frequently scolded as trashy or corrosive. Sagal’s language refuses the moral panic. Fun becomes an artistic defense and a cultural one: the show worked because it didn’t ask Peg to be likable on cue. It asked her to be free.
The subtext is about respect for a character who was designed to be dismissed. Peg was written to antagonize the fantasy of the dutiful sitcom wife, and Sagal’s affection tells you she understood the assignment: make the refusal look joyful. When she says, “I am so happy that I got to do that,” the “that” carries weight. It suggests a specific kind of performance opportunity that doesn’t come around often for women: being loud, lazy, vain, hungry, funny, and still central. Not redeemed. Not punished. Just allowed.
“It was really fun” reads almost defiant in retrospect, because Married... with Children was frequently scolded as trashy or corrosive. Sagal’s language refuses the moral panic. Fun becomes an artistic defense and a cultural one: the show worked because it didn’t ask Peg to be likable on cue. It asked her to be free.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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