"I made one untitled piece"
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“I made one untitled piece” is Damien Hirst compressing an entire career-long argument into seven casual words: authorship is less sacred than the system that sells it. Coming from an artist who turned a shark in formaldehyde into a cultural shibboleth, the line reads like a deadpan dare. Untitled is supposed to be a refusal of narrative - an attempt to keep meaning open, to let viewers project. Hirst’s version feels more like a shrug with a price tag attached. The subtext is transactional: even the act of withholding a title becomes a branded gesture once the market recognizes the move.
There’s also a quiet comedy in the modesty of “one,” as if the history of contemporary art hasn’t made “Untitled” a near-default setting. Hirst positions himself simultaneously as participant and critic: he knows the conventions, he knows how easily they harden into mannerism, and he knows collectors will buy the aura of non-specificity. The phrase “piece” does a lot of work too - casual, almost industrial - sliding art toward product, closer to a unit in an inventory than a singular object with a singular meaning.
Context matters: Hirst is a Young British Artist who rose alongside a boom in spectacle, branding, and collector-driven celebrity. In that world, an untitled work isn’t an escape hatch from interpretation; it’s another kind of caption, signaling seriousness while inviting the market to do what it does best - assign value to ambiguity.
There’s also a quiet comedy in the modesty of “one,” as if the history of contemporary art hasn’t made “Untitled” a near-default setting. Hirst positions himself simultaneously as participant and critic: he knows the conventions, he knows how easily they harden into mannerism, and he knows collectors will buy the aura of non-specificity. The phrase “piece” does a lot of work too - casual, almost industrial - sliding art toward product, closer to a unit in an inventory than a singular object with a singular meaning.
Context matters: Hirst is a Young British Artist who rose alongside a boom in spectacle, branding, and collector-driven celebrity. In that world, an untitled work isn’t an escape hatch from interpretation; it’s another kind of caption, signaling seriousness while inviting the market to do what it does best - assign value to ambiguity.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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