"I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart"
About this Quote
The subtext is double: frustration and resignation, sharpened by humor. Bergman knows that “importance” doesn’t compete with myth. Casablanca isn’t merely a successful film; it’s an object people use to rehearse their own romance, nostalgia, and wartime virtue. When a movie becomes shorthand for an era, the actors become supporting characters in the audience’s memory-play, trapped inside the same questions, the same anecdotes, the same misty-eyed expectations.
Context matters: Bergman’s career sprawled across languages and continents, from Hollywood stardom to European prestige, from saintly roles to scandalized tabloid narratives. Yet the public prefers one clean story with a clean ending. Her line is a gentle rebuke to that craving - and a sly acknowledgment that even icons don’t get to choose what they’re iconic for.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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Citation Formats
APA Style (7th ed.)
Bergman, Ingrid. (2026, January 17). I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart. FixQuotes. https://fixquotes.com/quotes/i-made-so-many-films-which-were-more-important-31594/
Chicago Style
Bergman, Ingrid. "I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/i-made-so-many-films-which-were-more-important-31594/.
MLA Style (9th ed.)
"I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/i-made-so-many-films-which-were-more-important-31594/. Accessed 21 Feb. 2026.







