"I made so many films which were more important, but the only one people ever want to talk about is that one with Bogart"
About this Quote
Celebrity is a funny kind of erasure: it canonizes you by shrinking you. Bergman’s line lands because it’s not just modest complaint; it’s a clear-eyed diagnosis of how audiences and press turn a career into a single, endlessly replayed clip. “More important” signals her own internal hierarchy - riskier roles, deeper craft, the work that cost something. Then comes the punch: “the only one people ever want to talk about is that one with Bogart.” She doesn’t even name Casablanca. She reduces the cultural monument to a casual descriptor, as if to yank it off its pedestal and remind us it was, in the end, a job with a co-star.
The subtext is double: frustration and resignation, sharpened by humor. Bergman knows that “importance” doesn’t compete with myth. Casablanca isn’t merely a successful film; it’s an object people use to rehearse their own romance, nostalgia, and wartime virtue. When a movie becomes shorthand for an era, the actors become supporting characters in the audience’s memory-play, trapped inside the same questions, the same anecdotes, the same misty-eyed expectations.
Context matters: Bergman’s career sprawled across languages and continents, from Hollywood stardom to European prestige, from saintly roles to scandalized tabloid narratives. Yet the public prefers one clean story with a clean ending. Her line is a gentle rebuke to that craving - and a sly acknowledgment that even icons don’t get to choose what they’re iconic for.
The subtext is double: frustration and resignation, sharpened by humor. Bergman knows that “importance” doesn’t compete with myth. Casablanca isn’t merely a successful film; it’s an object people use to rehearse their own romance, nostalgia, and wartime virtue. When a movie becomes shorthand for an era, the actors become supporting characters in the audience’s memory-play, trapped inside the same questions, the same anecdotes, the same misty-eyed expectations.
Context matters: Bergman’s career sprawled across languages and continents, from Hollywood stardom to European prestige, from saintly roles to scandalized tabloid narratives. Yet the public prefers one clean story with a clean ending. Her line is a gentle rebuke to that craving - and a sly acknowledgment that even icons don’t get to choose what they’re iconic for.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
More Quotes by Ingrid
Add to List






