"I made that decision back in 1985. I was out here getting certified in SCUBA with Garcia in Kona and I thought to myself, this is a place to wake up in in the morning"
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Kreutzmann doesn’t dress it up as destiny or revelation; he frames it like a practical epiphany you could have between breath checks and saltwater. That’s the charm. “I made that decision back in 1985” lands with the blunt confidence of someone who’s spent years improvising onstage and knows when a groove has locked in. He’s telling you the choice wasn’t romantic hand-wringing. It was recognition.
The setting does the cultural heavy lifting. Getting SCUBA-certified in Kona with Garcia isn’t just a vacation detail; it’s a snapshot of the Grateful Dead’s offstage ecosystem in the mid-’80s: a band that treated freedom as both aesthetic and lifestyle, always hunting for pockets of air outside the machinery of touring, fame, and—by that point—hard miles. The ocean becomes a counter-stage: disciplined, sensory, immediate. You can’t bluff your way underwater.
“I thought to myself, this is a place to wake up in in the morning” is a deceptively simple line that smuggles in a whole philosophy of survival. Not “a place to live” or “a place to work,” but a place to wake up: daily life as the real metric. It’s about choosing an atmosphere that makes the ordinary feel possible, even renewing. Coming from a musician whose career was built on perpetual motion, it reads like a quiet pivot toward permanence—less myth, more morning. In one sentence, Kona becomes an antidote to the exhausted American dream of “someday”: Kreutzmann picks the place where someday starts when you open your eyes.
The setting does the cultural heavy lifting. Getting SCUBA-certified in Kona with Garcia isn’t just a vacation detail; it’s a snapshot of the Grateful Dead’s offstage ecosystem in the mid-’80s: a band that treated freedom as both aesthetic and lifestyle, always hunting for pockets of air outside the machinery of touring, fame, and—by that point—hard miles. The ocean becomes a counter-stage: disciplined, sensory, immediate. You can’t bluff your way underwater.
“I thought to myself, this is a place to wake up in in the morning” is a deceptively simple line that smuggles in a whole philosophy of survival. Not “a place to live” or “a place to work,” but a place to wake up: daily life as the real metric. It’s about choosing an atmosphere that makes the ordinary feel possible, even renewing. Coming from a musician whose career was built on perpetual motion, it reads like a quiet pivot toward permanence—less myth, more morning. In one sentence, Kona becomes an antidote to the exhausted American dream of “someday”: Kreutzmann picks the place where someday starts when you open your eyes.
Quote Details
| Topic | Ocean & Sea |
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