"I mean, I think I liked every band I ever played in because each band was different, each band had a different concept, and each band leader was different... different personalities and musical tastes"
About this Quote
Buddy Rich isn’t mythologizing the bandstand here; he’s normalizing it. The line reads like a shrug, but it carries a working musician’s hard-earned worldview: if you spend your life moving from room to room, tempo to tempo, you learn to value difference as a kind of survival skill. Rich frames his history not as a ladder of “better” gigs but as a series of distinct ecosystems, each with its own rules, ego temperatures, and musical dialects. That’s a drummer talking. The drummer is the person who has to make every concept feel inevitable.
The intent is quietly diplomatic. Rich had a reputation for volcanic perfectionism and for being, at times, brutally direct. So this isn’t just generosity; it’s strategy. By praising “every band,” he sidesteps the jazz-world trap of ranking leaders and eras, of turning collaboration into grievance. The repetition of “different” is the tell: he’s not saying everyone was nice, he’s saying every situation demanded adaptation. Concept matters, but so do personalities and tastes - the human factors that determine whether a chart swings or dies on arrival.
Contextually, Rich came up in an ecosystem where bands were brands and leaders were small-scale monarchs. To say he liked them all is to assert a professional ethic: take the gig seriously, learn the language quickly, respect the bandleader’s vision, then bring your own fire to it. Underneath the modest phrasing is a flex: only a player with total command can treat constant change as the point, not the problem.
The intent is quietly diplomatic. Rich had a reputation for volcanic perfectionism and for being, at times, brutally direct. So this isn’t just generosity; it’s strategy. By praising “every band,” he sidesteps the jazz-world trap of ranking leaders and eras, of turning collaboration into grievance. The repetition of “different” is the tell: he’s not saying everyone was nice, he’s saying every situation demanded adaptation. Concept matters, but so do personalities and tastes - the human factors that determine whether a chart swings or dies on arrival.
Contextually, Rich came up in an ecosystem where bands were brands and leaders were small-scale monarchs. To say he liked them all is to assert a professional ethic: take the gig seriously, learn the language quickly, respect the bandleader’s vision, then bring your own fire to it. Underneath the modest phrasing is a flex: only a player with total command can treat constant change as the point, not the problem.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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