"I miss doing a series, but I don't want to do a series for a series' sake"
About this Quote
Nostalgia does a lot of work in Bobby Sherman’s line, but so does restraint. “I miss doing a series” isn’t just a career note; it’s a small admission of what steady, episodic work gives a performer: routine, camaraderie, the long arc of inhabiting a character, the feeling of being part of viewers’ weekly lives. For someone whose fame peaked in an era when teen-idol stardom and TV were tightly braided, the “series” isn’t merely a format. It’s a whole social contract between celebrity and audience: show up consistently, let people feel like they know you.
Then comes the pivot that makes the quote ring true: “but I don’t want to do a series for a series’ sake.” That repetition isn’t clumsy, it’s defensive. Sherman is pre-empting the easy narrative that any former heartthrob is chasing relevance or a paycheck. He’s signaling taste, self-respect, and a desire for meaning over mere visibility. In a culture that rewards constant content and punishes downtime, refusing work “for its own sake” reads like a quiet rebellion.
The context is also industrial. Modern series are longer shoots, darker tones, faster churn, and often less oxygen for the kind of lightweight charm Sherman once embodied. He’s acknowledging the appeal of the old machine while declining to feed the new one unless the material justifies the cost. Underneath the politeness is a boundary: he’s open to returning, but only if it’s a real creative home, not a nostalgia product.
Then comes the pivot that makes the quote ring true: “but I don’t want to do a series for a series’ sake.” That repetition isn’t clumsy, it’s defensive. Sherman is pre-empting the easy narrative that any former heartthrob is chasing relevance or a paycheck. He’s signaling taste, self-respect, and a desire for meaning over mere visibility. In a culture that rewards constant content and punishes downtime, refusing work “for its own sake” reads like a quiet rebellion.
The context is also industrial. Modern series are longer shoots, darker tones, faster churn, and often less oxygen for the kind of lightweight charm Sherman once embodied. He’s acknowledging the appeal of the old machine while declining to feed the new one unless the material justifies the cost. Underneath the politeness is a boundary: he’s open to returning, but only if it’s a real creative home, not a nostalgia product.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
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