"I myself do not believe in explaining anything"
About this Quote
“I myself do not believe in explaining anything” is Silverstein at his slipperiest: a deadpan refusal that doubles as an invitation. Coming from a poet whose work made millions feel smart without ever feeling lectured, the line reads less like anti-intellectualism than a manifesto for letting art keep its teeth. Silverstein’s best poems and songs run on mischief, surprise, and an almost weaponized simplicity. Explanation, in that world, is not clarity; it’s domestication.
The “I myself” matters. It’s mock-formal, as if he’s about to deliver a serious creed, then he drops the creed as a shrug. That rhythm is classic Silverstein: authority set up, authority punctured. Subtext: the moment you pin a meaning down, you flatten the strange little creature the poem was. Kids understand this instinctively. They don’t want a moral stapled to the page; they want the freedom to giggle, worry, or wonder and to change their mind on a reread.
Context helps. Silverstein lived between worlds: children’s literature and adult satire, the nursery rhyme and the barroom song. In both spaces, he distrusted preachiness. The line also swats at the cultural demand that artists provide “the message” on command, like customer service for emotions. His refusal protects ambiguity as a feature, not a bug. It’s a reminder that art can be a playground, not a worksheet, and that the reader’s private interpretation is part of the point.
The “I myself” matters. It’s mock-formal, as if he’s about to deliver a serious creed, then he drops the creed as a shrug. That rhythm is classic Silverstein: authority set up, authority punctured. Subtext: the moment you pin a meaning down, you flatten the strange little creature the poem was. Kids understand this instinctively. They don’t want a moral stapled to the page; they want the freedom to giggle, worry, or wonder and to change their mind on a reread.
Context helps. Silverstein lived between worlds: children’s literature and adult satire, the nursery rhyme and the barroom song. In both spaces, he distrusted preachiness. The line also swats at the cultural demand that artists provide “the message” on command, like customer service for emotions. His refusal protects ambiguity as a feature, not a bug. It’s a reminder that art can be a playground, not a worksheet, and that the reader’s private interpretation is part of the point.
Quote Details
| Topic | Witty One-Liners |
|---|
More Quotes by Shel
Add to List




