"I never called my work an 'art' It's part of show business, the business of building entertainment"
About this Quote
Disney’s refusal to sanctify his own work as “art” is less humility than strategy. By yanking animation off the museum wall and parking it under the bright, noisy sign of “show business,” he’s staking a claim on what would become the modern entertainment empire: culture engineered, scaled, and sold without apology.
The line does two things at once. On the surface, it’s blue-collar practicality: don’t romanticize; deliver. But the subtext is a quiet power move. Calling it “the business of building entertainment” frames creativity as architecture, not inspiration - a process with budgets, deadlines, and repeatable systems. Disney isn’t dismissing artistry; he’s insulating it from the fragile prestige economy that can’t handle mass appeal. If it’s “art,” critics get to judge it by elite rules. If it’s show business, the metric is audience response, and Disney was already designing for applause, not approval.
Context matters. Disney came up when animation was still treated as disposable novelty - shorts before features, gags before gravitas. His studio’s leap into feature-length storytelling required industrial discipline: synchronized sound, color, effects, story departments. The quote reads like a manifesto for that pipeline. It also anticipates the modern corporate creator: the idea that emotional experience can be manufactured at scale.
There’s irony in the denial, of course. Declaring it “not art” is exactly how Disney makes a new kind of art possible - one that survives by pretending it doesn’t need the label.
The line does two things at once. On the surface, it’s blue-collar practicality: don’t romanticize; deliver. But the subtext is a quiet power move. Calling it “the business of building entertainment” frames creativity as architecture, not inspiration - a process with budgets, deadlines, and repeatable systems. Disney isn’t dismissing artistry; he’s insulating it from the fragile prestige economy that can’t handle mass appeal. If it’s “art,” critics get to judge it by elite rules. If it’s show business, the metric is audience response, and Disney was already designing for applause, not approval.
Context matters. Disney came up when animation was still treated as disposable novelty - shorts before features, gags before gravitas. His studio’s leap into feature-length storytelling required industrial discipline: synchronized sound, color, effects, story departments. The quote reads like a manifesto for that pipeline. It also anticipates the modern corporate creator: the idea that emotional experience can be manufactured at scale.
There’s irony in the denial, of course. Declaring it “not art” is exactly how Disney makes a new kind of art possible - one that survives by pretending it doesn’t need the label.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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