"I never cared for fashion much, amusing little seams and witty little pleats: it was the girls I liked"
About this Quote
The intent isn’t just laddish provocation (though it plays that way); it’s also a claim about what Bailey thought the camera was for. Coming out of 1960s London, he helped remake fashion photography into celebrity portraiture’s close cousin: less about garments as products, more about attitude as currency. His images turned models into names, faces into events. In that context, the quote reads like a manifesto for a new gaze - one that treats fashion as an access point to character, sexuality, youth, and power.
The subtext is prickly. It flirts with objectification while also demystifying the whole apparatus: fashion sells fantasy, and Bailey is admitting which fantasy did the work on him. At the same time, it quietly elevates the model from hanger to co-author. The clothes are “little”; the girls are the charge.
Quote Details
| Topic | Romantic |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Bailey, David. (2026, January 17). I never cared for fashion much, amusing little seams and witty little pleats: it was the girls I liked. FixQuotes. https://fixquotes.com/quotes/i-never-cared-for-fashion-much-amusing-little-44483/
Chicago Style
Bailey, David. "I never cared for fashion much, amusing little seams and witty little pleats: it was the girls I liked." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/i-never-cared-for-fashion-much-amusing-little-44483/.
MLA Style (9th ed.)
"I never cared for fashion much, amusing little seams and witty little pleats: it was the girls I liked." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/i-never-cared-for-fashion-much-amusing-little-44483/. Accessed 8 Feb. 2026.








