"I never going to satisfy everybody, so I decided to satisfy myself"
About this Quote
There’s a quiet rebellion baked into Dan Fogelberg’s line: not the loud, leather-jacket kind, but the soft-spoken refusal to live as a suggestion box. “I never going to satisfy everybody” (the grammar’s a little off, which almost helps) lands like an exhale after years of trying to be legible to other people. He isn’t claiming the crowd is wrong; he’s admitting the crowd is impossible. The move that follows - “so I decided to satisfy myself” - is less narcissism than boundary-setting. It’s the moment an artist stops auditioning for approval and starts choosing a life that doesn’t require constant translation.
Coming from a musician, the subtext is about the specific cruelty of public taste: the way fans want you frozen at the version of you they first loved, while critics demand novelty, while the industry demands a brand. Fogelberg’s era amplified that tension. In the 1970s and 80s singer-songwriters were expected to be sincere, but sincerity itself became a product, packaged for radio and arenas. If you got too polished, you were “sellout.” If you stayed gentle, you were “soft.” No win condition.
The intent, then, is pragmatic self-preservation. He’s not declaring independence from listeners so much as protecting the part of himself that can still write. The line works because it names an adult truth artists aren’t supposed to say out loud: public love is conditional, but self-respect can’t be.
Coming from a musician, the subtext is about the specific cruelty of public taste: the way fans want you frozen at the version of you they first loved, while critics demand novelty, while the industry demands a brand. Fogelberg’s era amplified that tension. In the 1970s and 80s singer-songwriters were expected to be sincere, but sincerity itself became a product, packaged for radio and arenas. If you got too polished, you were “sellout.” If you stayed gentle, you were “soft.” No win condition.
The intent, then, is pragmatic self-preservation. He’s not declaring independence from listeners so much as protecting the part of himself that can still write. The line works because it names an adult truth artists aren’t supposed to say out loud: public love is conditional, but self-respect can’t be.
Quote Details
| Topic | Self-Love |
|---|---|
| Source | Help us find the source |
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