"I never really made a full album in Los Angeles before"
About this Quote
There is a whole mythology in that one casual sentence: Los Angeles as both dream factory and creative trap. Coming from Elton John, a musician whose catalog was built on big, lived-in songs and bigger public personas, the line reads like a quiet course correction. It suggests he has passed through LA for decades - tours, parties, industry meetings, reinventions - without ever letting the city fully seep into the work. That gap is the point.
The specific intent feels practical and symbolic at once. Practically, he is flagging a new process: committing to a place long enough to let its tempo shape the record. Symbolically, he is repositioning himself against the stereotype of LA album-making as a conveyor belt of co-writers, trend-chasing, and sonic polish. "Never really" does a lot of work: it hedges, admits proximity, but insists on a first time. For an artist often treated as a legacy act, "first time" is a subtle flex.
The subtext is about authenticity and late-career risk. Elton has always been skilled at theatricality; here he is selling something almost opposite: presence, attention, restraint. LA becomes not a backdrop for celebrity but a testing ground for relevance - can he absorb the city's current musical ecosystem without being absorbed by it?
Contextually, it's also a nod to the geography of pop power. Making a full album in Los Angeles is a way of entering the industry's present tense, not just revisiting its past. The line lands because it turns a logistical detail into a narrative of renewed appetite.
The specific intent feels practical and symbolic at once. Practically, he is flagging a new process: committing to a place long enough to let its tempo shape the record. Symbolically, he is repositioning himself against the stereotype of LA album-making as a conveyor belt of co-writers, trend-chasing, and sonic polish. "Never really" does a lot of work: it hedges, admits proximity, but insists on a first time. For an artist often treated as a legacy act, "first time" is a subtle flex.
The subtext is about authenticity and late-career risk. Elton has always been skilled at theatricality; here he is selling something almost opposite: presence, attention, restraint. LA becomes not a backdrop for celebrity but a testing ground for relevance - can he absorb the city's current musical ecosystem without being absorbed by it?
Contextually, it's also a nod to the geography of pop power. Making a full album in Los Angeles is a way of entering the industry's present tense, not just revisiting its past. The line lands because it turns a logistical detail into a narrative of renewed appetite.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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