"I never really thought I wanted to become a movie star"
About this Quote
There is a quiet act of self-defense in that line: a refusal of the tidy, self-mythologizing origin story Hollywood loves to sell. When Anna Faris says, "I never really thought I wanted to become a movie star", she’s puncturing the expectation that every actor arrived with a singular, laser-beam ambition and a five-year plan. The intent isn’t false modesty so much as a recalibration of what her career has actually been about: work, surprise, and survival inside an industry that fetishizes destiny.
The subtext carries a second message, especially coming from a performer whose breakout came through broad comedy and self-aware send-ups like Scary Movie. Faris has built a persona around being game, unglamorous, and emotionally legible. So "movie star" here isn’t just a job title; it’s a cultural role loaded with polish, control, and a kind of untouchable brand management. She’s drawing a line between acting (craft, odd opportunities, a willingness to look ridiculous) and stardom (a machine that demands constant self-curation).
Context matters: Faris came up in an era when women in comedy were still expected to trade in likability, not ambition, and when "trying to be famous" was treated as a moral failing. By framing her trajectory as accidental or unplanned, she sidesteps that double bind while still claiming what she’s earned. It’s a strategically casual sentence that protects her from the industry's hunger to narrativize her, even as it makes her feel more human than the myth.
The subtext carries a second message, especially coming from a performer whose breakout came through broad comedy and self-aware send-ups like Scary Movie. Faris has built a persona around being game, unglamorous, and emotionally legible. So "movie star" here isn’t just a job title; it’s a cultural role loaded with polish, control, and a kind of untouchable brand management. She’s drawing a line between acting (craft, odd opportunities, a willingness to look ridiculous) and stardom (a machine that demands constant self-curation).
Context matters: Faris came up in an era when women in comedy were still expected to trade in likability, not ambition, and when "trying to be famous" was treated as a moral failing. By framing her trajectory as accidental or unplanned, she sidesteps that double bind while still claiming what she’s earned. It’s a strategically casual sentence that protects her from the industry's hunger to narrativize her, even as it makes her feel more human than the myth.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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