"I never saw myself as being ambitious, I saw myself as being in love with the profession. I'm a people person. I love to get to know different kinds of people"
About this Quote
The smartest move Jack Kelley makes here is swapping “ambition” for “love” and daring you to treat that as more than a personality quirk. In journalism, ambition is the word that triggers suspicion: ladder-climbing, bylines chased, access curated. “In love with the profession” reframes the same drive as devotion, even self-effacement. It’s a rhetorical laundering that plays especially well in a field that likes to imagine itself as public service rather than careerism.
Then he pivots to the safer, warmer credential: “I’m a people person.” That phrase is a cultural password, signaling empathy and social ease while also quietly advertising the core instrument of reporting: getting strangers to talk. It’s not just sociability; it’s a technique. Kelley’s “different kinds of people” widens the lens, hinting at curiosity and range, the reporter’s claim to move across class, geography, ideology without flinching. The subtext is legitimacy: I’m not chasing power; I’m chasing stories, and the stories live in people.
Context matters because Kelley’s era rewarded the myth of the intrepid, relationship-driven correspondent. Before the analytics dashboard and the personal brand, journalists built authority through contacts, charm, and the aura of being present. The line also carries a whiff of defensiveness, as if answering an unasked question about motives. In a profession where proximity to power can blur into complicity, he insists his fuel is affection for the craft and for human company - the most flattering explanation, and the most strategically disarming.
Then he pivots to the safer, warmer credential: “I’m a people person.” That phrase is a cultural password, signaling empathy and social ease while also quietly advertising the core instrument of reporting: getting strangers to talk. It’s not just sociability; it’s a technique. Kelley’s “different kinds of people” widens the lens, hinting at curiosity and range, the reporter’s claim to move across class, geography, ideology without flinching. The subtext is legitimacy: I’m not chasing power; I’m chasing stories, and the stories live in people.
Context matters because Kelley’s era rewarded the myth of the intrepid, relationship-driven correspondent. Before the analytics dashboard and the personal brand, journalists built authority through contacts, charm, and the aura of being present. The line also carries a whiff of defensiveness, as if answering an unasked question about motives. In a profession where proximity to power can blur into complicity, he insists his fuel is affection for the craft and for human company - the most flattering explanation, and the most strategically disarming.
Quote Details
| Topic | Career |
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