"I never say I have a preference for one medium as opposed to another"
About this Quote
Baranski’s refusal to “have a preference for one medium” reads less like a shrug and more like a strategy: a working actor’s version of staying limber in an industry that loves to box people in. Coming from someone who’s ping-ponged between theater, film, and prestige television with unusual ease, the line quietly rejects the hierarchy that still floats around the arts world, where stage is “serious,” film is “glamorous,” and TV used to be the supposed compromise. Her intent is practical: keep the doors open, keep the craft central, keep the conversation from turning into brand management.
The subtext is even sharper. “Medium” is industry shorthand, but also a social sorting mechanism. Saying you prefer one can sound like a loyalty pledge or a snub, and Baranski’s career has thrived on being castable without being reducible. It’s also a subtle defense against the modern demand that artists narrate themselves: audiences and press want a coherent arc, a definitive “my true home.” She declines the bait. The performance is the point, not the platform.
Context matters: Baranski’s adulthood maps onto the era when TV went from “small screen” to the centerpiece of culture, when streaming collapsed old distinctions, and when theater became, for many actors, both artistic refuge and economic gamble. Her line lands as a professional ethos for that landscape: the medium is the delivery system; the work is the message. It’s grounded, unsentimental, and quietly liberating.
The subtext is even sharper. “Medium” is industry shorthand, but also a social sorting mechanism. Saying you prefer one can sound like a loyalty pledge or a snub, and Baranski’s career has thrived on being castable without being reducible. It’s also a subtle defense against the modern demand that artists narrate themselves: audiences and press want a coherent arc, a definitive “my true home.” She declines the bait. The performance is the point, not the platform.
Context matters: Baranski’s adulthood maps onto the era when TV went from “small screen” to the centerpiece of culture, when streaming collapsed old distinctions, and when theater became, for many actors, both artistic refuge and economic gamble. Her line lands as a professional ethos for that landscape: the medium is the delivery system; the work is the message. It’s grounded, unsentimental, and quietly liberating.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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