"I never thought about being on a series before. It seemed like such a big commitment. But I love going to work every day. This is not about ego, it's about work, and that's refreshing in this town"
About this Quote
Ambrose is puncturing a very specific Hollywood myth: that actors chase series regular status because it’s the ultimate validation. She frames TV not as a throne but as a timecard. The first sentence admits what plenty of actors won’t say out loud: series work can feel like a trap, a long contract that quietly dictates your life. That honesty is the hook; it signals she’s not selling the usual gratitude narrative, she’s negotiating with the reality of labor.
Then she flips the premise. The “big commitment” becomes a kind of relief because it’s paired with the underrated pleasure of routine: “going to work every day.” In an industry built on uncertainty, the daily commute is a luxury. There’s also a subtle defense mechanism here. By emphasizing work over prestige, she inoculates herself against the suspicion that a steady TV job is a downgrade from film or theater. She’s reframing consistency as craft.
“This is not about ego” is doing more than modesty. It’s a coded critique of a town that runs on ego while pretending it doesn’t. Ambrose implies that sets can be charged with status games, branding, and the constant performance of importance. A series, at its best, forces a different value system: show up, collaborate, repeat, get better. The word “refreshing” lands like a small act of rebellion, suggesting she’s found a pocket of sanity where the currency is competence, not attention.
Then she flips the premise. The “big commitment” becomes a kind of relief because it’s paired with the underrated pleasure of routine: “going to work every day.” In an industry built on uncertainty, the daily commute is a luxury. There’s also a subtle defense mechanism here. By emphasizing work over prestige, she inoculates herself against the suspicion that a steady TV job is a downgrade from film or theater. She’s reframing consistency as craft.
“This is not about ego” is doing more than modesty. It’s a coded critique of a town that runs on ego while pretending it doesn’t. Ambrose implies that sets can be charged with status games, branding, and the constant performance of importance. A series, at its best, forces a different value system: show up, collaborate, repeat, get better. The word “refreshing” lands like a small act of rebellion, suggesting she’s found a pocket of sanity where the currency is competence, not attention.
Quote Details
| Topic | Work Ethic |
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