"I only went to one Star Trek convention and that was in the late '80s. I hadn't gone to a convention before that. It was quite amusing, with the people dressed up and all of that"
About this Quote
There is a sly, almost protective distance in Khambatta's choice of words: "only", "one", "late '80s". She’s marking the encounter as a brief visit to a world she’s adjacent to, not embedded in. For an actress whose fame touched the edges of genre fandom, that matters. Conventions can be shrines and courtrooms at once: adoration mixed with scrutiny, a place where audiences feel ownership over the work and, by extension, the people in it.
"It was quite amusing" reads like polite candor with a raised eyebrow. She doesn’t say moving, validating, or overwhelming. She says amusing - a word that lets her acknowledge the spectacle without fully surrendering to it. The follow-up, "with the people dressed up and all of that", compresses cosplay into a casual aside, as if she’s describing a quirky street fair. That soft vagueness ("and all of that") is doing a lot: it keeps the tone friendly while sidestepping the intense emotional logic of fandom, where dressing up isn’t just costume but identity, community, and sometimes longing.
The late '80s context sharpens the subtext. Geek culture hadn’t yet been mainstreamed into prestige TV discourse or Marvel-era normalcy; it was still coded as niche, even suspect. Her amusement is partly generational, partly professional: an actor encountering a fan ecosystem that treats fiction as lived-in reality. The intent feels less like critique than boundary-setting - acknowledging devotion while insisting on her own outsider status to it.
"It was quite amusing" reads like polite candor with a raised eyebrow. She doesn’t say moving, validating, or overwhelming. She says amusing - a word that lets her acknowledge the spectacle without fully surrendering to it. The follow-up, "with the people dressed up and all of that", compresses cosplay into a casual aside, as if she’s describing a quirky street fair. That soft vagueness ("and all of that") is doing a lot: it keeps the tone friendly while sidestepping the intense emotional logic of fandom, where dressing up isn’t just costume but identity, community, and sometimes longing.
The late '80s context sharpens the subtext. Geek culture hadn’t yet been mainstreamed into prestige TV discourse or Marvel-era normalcy; it was still coded as niche, even suspect. Her amusement is partly generational, partly professional: an actor encountering a fan ecosystem that treats fiction as lived-in reality. The intent feels less like critique than boundary-setting - acknowledging devotion while insisting on her own outsider status to it.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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