"I place no hope in my strength, nor in my works: but all my confidence is in God my protector, who never abandons those who have put all their hope and thought in him"
About this Quote
A brash Renaissance humanist suddenly sounds like an Augustinian monk, and that tension is the point. “I place no hope in my strength, nor in my works” reads like a deliberate stripping-away of the two currencies that normally buy authority in Rabelais’s world: intellect and production. In an era where learned men performed mastery through books, polemic, and public reputation, he stages an anti-performance, renouncing self-sufficiency as if it were a moral superstition.
The line also carries the theological heat of its time. “Works” isn’t just a generic nod to effort; it’s a loaded word in post-Reformation Europe, where the relationship between deeds and salvation had become a cultural fault line. Rabelais plants himself on the side of dependency: not earned righteousness, not heroic self-improvement, but trust. That makes the sentence a kind of protective garment. For a writer frequently accused of impiety, affirming total confidence in God is both a confession and a strategic credential, a way to speak safely inside a suspicious religious climate.
Then comes the emotional pivot: “God my protector, who never abandons…” The rhetoric moves from negation (not me, not my works) to intimacy (my protector). It’s less a philosophical proof than a plea for shelter. The real subtext is vulnerability: the recognition that learning, satire, and accomplishment don’t finally keep you from loss, illness, or judgment. Rabelais’s genius is that even in piety he understands audience, turning self-abasement into a forceful claim about where security actually lives.
The line also carries the theological heat of its time. “Works” isn’t just a generic nod to effort; it’s a loaded word in post-Reformation Europe, where the relationship between deeds and salvation had become a cultural fault line. Rabelais plants himself on the side of dependency: not earned righteousness, not heroic self-improvement, but trust. That makes the sentence a kind of protective garment. For a writer frequently accused of impiety, affirming total confidence in God is both a confession and a strategic credential, a way to speak safely inside a suspicious religious climate.
Then comes the emotional pivot: “God my protector, who never abandons…” The rhetoric moves from negation (not me, not my works) to intimacy (my protector). It’s less a philosophical proof than a plea for shelter. The real subtext is vulnerability: the recognition that learning, satire, and accomplishment don’t finally keep you from loss, illness, or judgment. Rabelais’s genius is that even in piety he understands audience, turning self-abasement into a forceful claim about where security actually lives.
Quote Details
| Topic | God |
|---|---|
| Source | Help us find the source |
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