Time & Perspective Quote by Richard Fleeshman

Confidence is doing a lot of quiet work here: Fleeshman positions himself as someone with chops (piano, guitar, writes his own material) while refusing the neat, marketable certainty the industry loves. The sentence is basically a tug-of-war between agency and apprenticeship. He knows what he wants to do "to a certain extent" but keeps undercutting that certainty with softeners: "still finding out", "never mind", "I've got a lot of time". It reads like an artist trying to stay honest without sounding unprepared.

The subtext is identity management. As an actor stepping toward music, he anticipates the skeptical eyebrow: Is this a vanity project? The answer is a preemptive humility that also doubles as a claim to seriousness. Mentioning instruments and songwriting signals craft, not just celebrity drift. Admitting he doesn't even know what he most likes to listen to is strategic vulnerability: it reframes his musical move as curiosity rather than brand expansion.

Context matters because this is how you survive the pop-cultural sorting machine. Audiences and gatekeepers want instant genre tags and a "sound" that can be packaged. Fleeshman pushes back, insisting on process. The line "develop myself as an artist" is aspirational, but it's also a shield against premature judgment: don't review the finished product yet, because he's still building the toolkit and the taste that will define it.

What makes it work is its ordinariness. No myth of genius, no grand manifesto, just the messy middle of becoming - which, in a culture addicted to overnight identities, is almost a radical stance.