"I played the tuba in high school. I wanted to be a member of the marching band. I thought, what can I play that has the most effect? What can I play to get people to laugh?"
About this Quote
LuPone’s tuba story is a miniature origin myth, and it’s revealing that it’s built on impact rather than aptitude. She doesn’t frame music as self-expression in the precious, diary-entry way; she frames it as a tactical choice inside a public arena. The marching band isn’t a salon. It’s pageantry, volume, timing, and crowd management. So her teenage question, "What has the most effect?" reads like the early draft of a stage performer learning the first rule: attention is a physical resource, and you either command it or you vanish.
The tuba is perfect as both instrument and metaphor. It’s comically oversized, built for low-end authority, and impossible to ignore. Choosing it to "get people to laugh" isn’t just about being goofy; it’s about learning how laughter functions as instant social permission. Make the audience laugh and you’ve bought yourself goodwill, a little protection, a little power. It’s the same dynamic that later lets a performer take risks, push intensity, even veer into confrontation while still keeping the room.
There’s also something slyly pragmatic in the way she narrates this. The subtext is: I knew the game early. Not "I was destined", but "I strategized". That’s a very LuPone kind of candor, stripping artistry down to mechanics: choose a role, choose a sound, choose an effect. Comedy here isn’t softness; it’s leverage.
The tuba is perfect as both instrument and metaphor. It’s comically oversized, built for low-end authority, and impossible to ignore. Choosing it to "get people to laugh" isn’t just about being goofy; it’s about learning how laughter functions as instant social permission. Make the audience laugh and you’ve bought yourself goodwill, a little protection, a little power. It’s the same dynamic that later lets a performer take risks, push intensity, even veer into confrontation while still keeping the room.
There’s also something slyly pragmatic in the way she narrates this. The subtext is: I knew the game early. Not "I was destined", but "I strategized". That’s a very LuPone kind of candor, stripping artistry down to mechanics: choose a role, choose a sound, choose an effect. Comedy here isn’t softness; it’s leverage.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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