"I praise CBS for taking a risk, which is always the price you pay for opportunity. This is not standard movie of the week storytelling. I think movies of the week have fallen into a niche and that isn't my niche"
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Selleck is doing two things at once: flattering the network and drawing a boundary around his brand. “I praise CBS for taking a risk” reads like gracious industry diplomacy, but the phrasing quietly rewrites the power dynamic. Networks don’t “give” actors prestige; they “take a risk” on material that’s closer to cinema than disposable TV. That frames Selleck not as a nostalgic TV star grateful for airtime, but as a partner in an upgrade project.
The key line is the trade he proposes: “risk” as “the price you pay for opportunity.” It’s a neat bit of professional mythology, implying courage and ambition while sidestepping what risk actually means in network terms (ratings, sponsors, angry affiliates) and actor terms (typecasting, critical embarrassment). By naming the transaction, he makes it sound principled rather than strategic.
Then he sharpens the distinction: “not standard movie of the week storytelling.” That’s industry code. Movie-of-the-week once meant mass audience, high melodrama, tidy moralism. By the time Selleck is saying this, it also means “low-status,” the kind of project you do for a paycheck or a favor. He acknowledges that those films have “fallen into a niche” and delivers the real message: he’s not going to be filed under that niche.
The subtext is reputation management in an era when TV movies were starting to feel like a cul-de-sac while “event” television and prestige storytelling were becoming the escape route. Selleck isn’t rejecting television; he’s rejecting the stigma attached to a certain tier of it.
The key line is the trade he proposes: “risk” as “the price you pay for opportunity.” It’s a neat bit of professional mythology, implying courage and ambition while sidestepping what risk actually means in network terms (ratings, sponsors, angry affiliates) and actor terms (typecasting, critical embarrassment). By naming the transaction, he makes it sound principled rather than strategic.
Then he sharpens the distinction: “not standard movie of the week storytelling.” That’s industry code. Movie-of-the-week once meant mass audience, high melodrama, tidy moralism. By the time Selleck is saying this, it also means “low-status,” the kind of project you do for a paycheck or a favor. He acknowledges that those films have “fallen into a niche” and delivers the real message: he’s not going to be filed under that niche.
The subtext is reputation management in an era when TV movies were starting to feel like a cul-de-sac while “event” television and prestige storytelling were becoming the escape route. Selleck isn’t rejecting television; he’s rejecting the stigma attached to a certain tier of it.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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