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Art & Creativity Quote by John Lasseter

"I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control that through 24 frames a second"

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Lasseter’s confession doubles as a subtle declaration of independence: he isn’t dunking on hand-drawn animation so much as naming the gatekeeping baked into it. By invoking Leonardo and Michelangelo, he frames Disney’s classical craft as a Renaissance-level inheritance - gorgeous, yes, but brutally exclusive. The point isn’t just that drawing well is hard; it’s that the traditional pipeline rewards a particular kind of virtuoso, the rare artist who can draft impeccably and animate with musical timing at 24 frames per second. That’s a small club, and Lasseter is candid about not wanting his creative life to depend on being admitted.

The medium he “quickly realized” had more to offer is computer animation, and the subtext is technological democratization with ambition, not resentment. Early CGI didn’t eliminate artistry; it rerouted it. It shifted the locus of mastery from perfect line work to performance, staging, and rhythm - skills closer to directing than to life drawing. Lasseter is arguing that animation is fundamentally about motion and intention, and that a toolset that lowers the barrier on draftsmanship can elevate other forms of storytelling intelligence.

There’s also a strategic cultural wink here. Coming from the director who helped make Pixar the new center of gravity, the quote reads as a justification for a generational handoff: reverence for Disney’s legacy paired with a clear-eyed claim that the future belongs to artists who can think in time, not just in lines.

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APA Style (7th ed.)
Lasseter, John. (n.d.). I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control that through 24 frames a second. FixQuotes. https://fixquotes.com/quotes/i-quickly-realized-that-this-medium-had-a-lot-to-11270/

Chicago Style
Lasseter, John. "I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control that through 24 frames a second." FixQuotes. Accessed February 3, 2026. https://fixquotes.com/quotes/i-quickly-realized-that-this-medium-had-a-lot-to-11270/.

MLA Style (9th ed.)
"I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control that through 24 frames a second." FixQuotes, https://fixquotes.com/quotes/i-quickly-realized-that-this-medium-had-a-lot-to-11270/. Accessed 3 Feb. 2026.

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John Lasseter (born January 12, 1957) is a Director from USA.

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