"I read H.P. Lovecraft. I also like Sword and Sorcery stuff, Arthurian legend"
About this Quote
Boxleitner’s little list reads like a throwaway fandom confession, but it’s really a self-branding maneuver: the actor as genre citizen, not just genre employee. Lovecraft, sword-and-sorcery, Arthurian legend: three lanes of fantasy that map neatly onto the kinds of worlds he’s spent a career inhabiting on screen. He’s not saying he enjoys “escapism.” He’s signaling literacy in the myth engine that powers a lot of pop culture, especially the TV and film ecosystems that made him recognizable.
The Lovecraft name-drop is doing particular work. It carries a whiff of the cult bookshelf: eerie, intellectual, a bit transgressive, the kind of reference that tells fans you’re in on the deeper cut. Pairing that with sword-and-sorcery softens the posture, pulling the vibe back toward pulpy adventure and adolescent wonder. Then Arthurian legend gives it legitimacy and lineage, a way of saying these stories aren’t disposable; they’re part of a long continuum of quests, codes, and doomed heroics.
Subtext: he’s aligning himself with audiences who take imaginary worlds seriously, and he’s staking out a taste profile that bridges “serious” weird fiction and mainstream myth. Context matters, too: for an actor associated with sci-fi television, this is a quiet rebuttal to the old sneer that genre is a career cul-de-sac. He’s not trapped in fantasy; he’s chosen it, and he can name the roots.
The Lovecraft name-drop is doing particular work. It carries a whiff of the cult bookshelf: eerie, intellectual, a bit transgressive, the kind of reference that tells fans you’re in on the deeper cut. Pairing that with sword-and-sorcery softens the posture, pulling the vibe back toward pulpy adventure and adolescent wonder. Then Arthurian legend gives it legitimacy and lineage, a way of saying these stories aren’t disposable; they’re part of a long continuum of quests, codes, and doomed heroics.
Subtext: he’s aligning himself with audiences who take imaginary worlds seriously, and he’s staking out a taste profile that bridges “serious” weird fiction and mainstream myth. Context matters, too: for an actor associated with sci-fi television, this is a quiet rebuttal to the old sneer that genre is a career cul-de-sac. He’s not trapped in fantasy; he’s chosen it, and he can name the roots.
Quote Details
| Topic | Book |
|---|---|
| Source | Help us find the source |
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