"I realised that if I did what I wanted to do, it would work"
About this Quote
A modern-sounding burst of self-trust, this line reads like a private pivot point: the moment an artist stops asking permission from fashion, patrons, or orthodoxy. John Dyer, working in an 18th-century art world still tethered to aristocratic taste and the prestige machinery of academies, isn’t just talking about inspiration. He’s talking about strategy. “If I did what I wanted to do” frames desire as method, not indulgence. The surprising punch is the second clause: “it would work.” Not might. Would.
The intent is quietly defiant. Dyer positions personal vision as the surest route to viability, flipping the usual anxiety of creative labor: that the more individual the work, the less it will land. The subtext is that “work” isn’t only aesthetic success; it’s survival, reputation, commissions, the ability to keep making. For an artist, “work” also means coherence: a body of art that holds together because it is anchored in internal conviction rather than external cues.
There’s also an Enlightenment-era confidence embedded here, the period’s growing faith in the individual mind as an engine of progress. Dyer compresses that philosophy into a practical rule. The line’s power comes from its calm certainty. It’s not a romantic tantrum or a manifesto; it’s a realization, almost empirical, as if he tested conformity and found it less reliable than authenticity. In that understatement lies the provocation: wanting becomes a form of knowing, and knowing becomes a plan.
The intent is quietly defiant. Dyer positions personal vision as the surest route to viability, flipping the usual anxiety of creative labor: that the more individual the work, the less it will land. The subtext is that “work” isn’t only aesthetic success; it’s survival, reputation, commissions, the ability to keep making. For an artist, “work” also means coherence: a body of art that holds together because it is anchored in internal conviction rather than external cues.
There’s also an Enlightenment-era confidence embedded here, the period’s growing faith in the individual mind as an engine of progress. Dyer compresses that philosophy into a practical rule. The line’s power comes from its calm certainty. It’s not a romantic tantrum or a manifesto; it’s a realization, almost empirical, as if he tested conformity and found it less reliable than authenticity. In that understatement lies the provocation: wanting becomes a form of knowing, and knowing becomes a plan.
Quote Details
| Topic | Motivational |
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