"I really don't like talking about money. All I can say is that the Good Lord must have wanted me to have it"
About this Quote
There’s a Midwestern magic trick in Larry Bird’s line: take the most loaded status marker in American life and make it sound like an accident you’d rather not mention. “I really don’t like talking about money” isn’t just modesty; it’s a preemptive defense against the suspicion that wealth changes a person, or worse, reveals what was always there. Bird frames cash as impolite conversation, a breach of the locker-room code where effort matters and ego gets you targeted.
Then he pivots to the Good Lord, and the move is doing double duty. On one level it’s disarming, even funny: if the bank account feels awkward, outsource the explanation to divine intent. On another, it’s a culturally specific kind of legitimacy. In the America Bird comes from, saying you earned it can sound like bragging; saying you deserved it can sound like arrogance. Saying God wanted it for you turns prosperity into fate, not flex.
The context matters. Bird became rich in an era when athletes’ salaries were becoming headline material, provoking envy, moralizing, and a constant demand that stars justify themselves. His persona - stoic, workmanlike, allergic to showboating - made him a stand-in for “earned” success. The subtext is a refusal to perform gratitude or guilt on command. He’s not apologizing for the money, but he’s also not letting it be the story. That tension is the point: privilege acknowledged, spotlight deflected, myth preserved.
Then he pivots to the Good Lord, and the move is doing double duty. On one level it’s disarming, even funny: if the bank account feels awkward, outsource the explanation to divine intent. On another, it’s a culturally specific kind of legitimacy. In the America Bird comes from, saying you earned it can sound like bragging; saying you deserved it can sound like arrogance. Saying God wanted it for you turns prosperity into fate, not flex.
The context matters. Bird became rich in an era when athletes’ salaries were becoming headline material, provoking envy, moralizing, and a constant demand that stars justify themselves. His persona - stoic, workmanlike, allergic to showboating - made him a stand-in for “earned” success. The subtext is a refusal to perform gratitude or guilt on command. He’s not apologizing for the money, but he’s also not letting it be the story. That tension is the point: privilege acknowledged, spotlight deflected, myth preserved.
Quote Details
| Topic | Wealth |
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