"I remember feeling that. I couldn't do, nor did I want to do, the kinds of roles I'd been doing"
About this Quote
There is a quiet revolt tucked into Barbara Cook's plainspoken recollection: a performer realizing the very thing that made her employable was starting to make her disappear. The line lands because it refuses melodrama. "I remember feeling that" is intimate and almost offhand, the way artists talk when they finally admit a truth they've been editing out. Then she tightens the screw: "I couldn't do" and "nor did I want to do" split the problem in two. It's not just skill, stamina, or vocal fit; it's desire. She isn't blaming the industry alone. She's naming the moment when craft and appetite stop aligning, and continuing would mean turning professionalism into self-betrayal.
For a mid-century Broadway singer branded as the bright, effortless soubrette, this is loaded. Those "kinds of roles" weren't neutral parts; they were a persona the business could package: youthful, sunny, accommodating. Age, changing taste, and Cook's own musical curiosity made that template feel like a costume that no longer zipped. The subtext is about control - who gets to decide what a woman "is" onstage, and how hard it is to renegotiate that contract once the audience thinks it owns your silhouette.
What makes the quote sting is the tension between gratitude and refusal. Cook isn't performing disdain. She's describing a threshold: the instant an artist stops auditioning for approval and starts auditioning for a life that can hold their evolving voice.
For a mid-century Broadway singer branded as the bright, effortless soubrette, this is loaded. Those "kinds of roles" weren't neutral parts; they were a persona the business could package: youthful, sunny, accommodating. Age, changing taste, and Cook's own musical curiosity made that template feel like a costume that no longer zipped. The subtext is about control - who gets to decide what a woman "is" onstage, and how hard it is to renegotiate that contract once the audience thinks it owns your silhouette.
What makes the quote sting is the tension between gratitude and refusal. Cook isn't performing disdain. She's describing a threshold: the instant an artist stops auditioning for approval and starts auditioning for a life that can hold their evolving voice.
Quote Details
| Topic | Reinvention |
|---|
More Quotes by Barbara
Add to List



