"I respect the game that goes on of putting this against that, but I don't respect, nor do I enjoy, an awful lot of the actual programs that go on the air"
About this Quote
Arledge is drawing a bright, almost surgical line between the sport and the spectacle. "The game that goes on of putting this against that" isn’t just athletics; it’s the primal narrative engine of television: conflict, stakes, a clean winner, a clean loser. He respects that machinery because it’s honest about what it’s doing. It’s transparent competition, a story with rules. In the hands of a great producer, it’s also craft: camera angles that clarify, commentary that turns chaos into meaning, pacing that keeps you from touching the remote.
Then he pivots, and the knife goes in: he doesn’t respect or enjoy "an awful lot of the actual programs that go on the air". The repetition of "respect" and "enjoy" matters. He’s not merely bored; he’s indicting TV as an industry that too often confuses output with value. The subtext is a professional’s disgust with filler, cynicism, and the lowest-common-denominator logic of programming - the sense that television, when it isn’t harnessing real competition, manufactures fake urgency and calls it entertainment.
Context sharpens the critique. Arledge helped define modern sports broadcasting at ABC, turning games into cultural events. Coming from him, this isn’t a generic media snob’s complaint; it’s a builder calling out the house. He’s defending a standard: if you’re going to fight for attention, at least earn it the way a game does - with real stakes, real talent, real consequences.
Then he pivots, and the knife goes in: he doesn’t respect or enjoy "an awful lot of the actual programs that go on the air". The repetition of "respect" and "enjoy" matters. He’s not merely bored; he’s indicting TV as an industry that too often confuses output with value. The subtext is a professional’s disgust with filler, cynicism, and the lowest-common-denominator logic of programming - the sense that television, when it isn’t harnessing real competition, manufactures fake urgency and calls it entertainment.
Context sharpens the critique. Arledge helped define modern sports broadcasting at ABC, turning games into cultural events. Coming from him, this isn’t a generic media snob’s complaint; it’s a builder calling out the house. He’s defending a standard: if you’re going to fight for attention, at least earn it the way a game does - with real stakes, real talent, real consequences.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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