"I see my body as an instrument, rather than an ornament"
About this Quote
Alanis Morissette’s line lands like a quiet revolt against the beauty economy that’s shadowed women in pop for decades. “Instrument” is a musician’s word, but it’s also a worldview: the body as something you use, trust, train, and listen to, not something you curate for approval. In one clean swap of nouns, she rejects the camera’s default script - that a female artist’s body is part of the set dressing - and reclaims it as a working tool with agency and purpose.
The subtext is partly about labor. An ornament sits still; an instrument performs. Morissette came up in an era that packaged women as “alternative” or “pretty” before it cared what they were saying, and she’s long been read through the lens of raw confession, emotional messiness, and bodily reality. This sentence insists that the body isn’t a brand asset to be optimized; it’s the thing that makes the work possible: breath, stamina, voice, nervous system, presence onstage. It also quietly reframes discipline. Not discipline for thinness or desirability, but discipline for capacity - what can my body do, what can it carry, how can it endure?
Context matters: the ’90s and early 2000s were peak scrutiny years, when tabloids and MTV trained audiences to appraise women’s bodies as public property. Morissette’s phrasing doesn’t beg for liberation; it states it. The intent is boundary-setting, but the effect is bigger: it offers a vocabulary shift from being looked at to being able to act.
The subtext is partly about labor. An ornament sits still; an instrument performs. Morissette came up in an era that packaged women as “alternative” or “pretty” before it cared what they were saying, and she’s long been read through the lens of raw confession, emotional messiness, and bodily reality. This sentence insists that the body isn’t a brand asset to be optimized; it’s the thing that makes the work possible: breath, stamina, voice, nervous system, presence onstage. It also quietly reframes discipline. Not discipline for thinness or desirability, but discipline for capacity - what can my body do, what can it carry, how can it endure?
Context matters: the ’90s and early 2000s were peak scrutiny years, when tabloids and MTV trained audiences to appraise women’s bodies as public property. Morissette’s phrasing doesn’t beg for liberation; it states it. The intent is boundary-setting, but the effect is bigger: it offers a vocabulary shift from being looked at to being able to act.
Quote Details
| Topic | Self-Love |
|---|
More Quotes by Alanis
Add to List

