"I see myself as an artist who happens to do cartoons"
About this Quote
Pat Oliphant’s line is a quiet provocation: a refusal to let “cartoons” be treated as the kiddie table of visual culture. By putting “artist” first and “cartoons” second, he flips the usual hierarchy that assumes editorial drawing is disposable, topical, and somehow less serious than painting or sculpture. The phrasing matters. “Happens to” sounds casual, almost shrugging, but it’s a strategic shrug: he’s normalizing cartoons as just one medium among many, not a genre that automatically lowers the ceiling on ambition.
The subtext is also defensive because it has to be. Political cartoonists live in a space where craft is constantly eclipsed by the day’s outrage. Readers argue with the message, editors worry about blowback, politicians bristle, and the drawing itself is treated as a delivery system for a punchline. Oliphant is insisting on the opposite: composition, line, caricature, pacing, visual metaphor - the stuff art people talk about - is the point, not the packaging.
Contextually, he’s speaking from a career built on sharpening power into an image small enough to fit beside columns and classifieds. Editorial cartoons are mass-circulation art with a short shelf life, which is precisely why the claim lands. He’s staking a reputation on something more durable than the news cycle: the idea that a cartoon can be both immediate and formally serious, the way a great poem can be topical without being trapped by its date.
The subtext is also defensive because it has to be. Political cartoonists live in a space where craft is constantly eclipsed by the day’s outrage. Readers argue with the message, editors worry about blowback, politicians bristle, and the drawing itself is treated as a delivery system for a punchline. Oliphant is insisting on the opposite: composition, line, caricature, pacing, visual metaphor - the stuff art people talk about - is the point, not the packaging.
Contextually, he’s speaking from a career built on sharpening power into an image small enough to fit beside columns and classifieds. Editorial cartoons are mass-circulation art with a short shelf life, which is precisely why the claim lands. He’s staking a reputation on something more durable than the news cycle: the idea that a cartoon can be both immediate and formally serious, the way a great poem can be topical without being trapped by its date.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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