"I see the cartoonist as contributing to the content, being critical, because we do poke holes in some of the dialogue and find new ways of seeing things"
About this Quote
Cartooning, in Jonathan Shapiro's framing, isn’t decorative commentary stapled onto “real” journalism; it’s an editorial act with teeth. He positions the cartoonist as a content-maker first, someone who intervenes in public conversation rather than merely reflecting it. That insistence matters because cartoons are often treated as a softer medium - a joke in the margins. Shapiro pushes back: the work is criticism, and it competes with, corrects, and sometimes humiliates the day’s official script.
“Poke holes” is the key verb. It suggests a small tool applied to something inflated: political speeches, press releases, pious slogans, carefully managed “dialogue.” The subtext is skepticism toward authority’s preferred form of meaning-making, where language is engineered to sound inevitable and moral. A cartoon punctures that balloon by turning rhetoric into image: exaggeration, juxtaposition, and visual metaphor can reveal what a paragraph of cautious prose can’t or won’t. The laugh is not an escape hatch; it’s a pressure test.
He also slips in a quiet claim about legitimacy. By saying cartoonists “find new ways of seeing things,” Shapiro argues that satire produces knowledge, not just reaction. In contexts like South African political life - where Shapiro’s work circulates amid intense party narratives, corruption scandals, and culture-war framing - a sharp drawing can re-route attention faster than analysis. It compresses critique into a shareable artifact, making hypocrisy visible at a glance, and forcing “dialogue” to contend with what it tries to hide.
“Poke holes” is the key verb. It suggests a small tool applied to something inflated: political speeches, press releases, pious slogans, carefully managed “dialogue.” The subtext is skepticism toward authority’s preferred form of meaning-making, where language is engineered to sound inevitable and moral. A cartoon punctures that balloon by turning rhetoric into image: exaggeration, juxtaposition, and visual metaphor can reveal what a paragraph of cautious prose can’t or won’t. The laugh is not an escape hatch; it’s a pressure test.
He also slips in a quiet claim about legitimacy. By saying cartoonists “find new ways of seeing things,” Shapiro argues that satire produces knowledge, not just reaction. In contexts like South African political life - where Shapiro’s work circulates amid intense party narratives, corruption scandals, and culture-war framing - a sharp drawing can re-route attention faster than analysis. It compresses critique into a shareable artifact, making hypocrisy visible at a glance, and forcing “dialogue” to contend with what it tries to hide.
Quote Details
| Topic | Art |
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