"I seriously object to seeing on the screen what belongs in the bedroom"
About this Quote
The wording does sly work. “Seriously object” has the tone of a man performing virtue for public consumption, a preemptive defense against scandal and censorship boards. “On the screen” versus “in the bedroom” draws a boundary between private appetite and public spectacle. Goldwyn is policing not behavior but visibility: the problem isn’t sex, it’s sex that can’t be controlled, edited, or safely implied. That’s classic studio-era strategy, where suggestion became an art form because explicitness was a liability.
Context sharpens the intent. Goldwyn’s career ran through the Hays Code era, when studios cooperated with self-censorship to avoid government intervention and to keep films sellable in every region. His complaint doubles as a business memo: don’t give censors ammunition, don’t alienate conservative audiences, don’t fracture the broad coalition that keeps box office reliable.
Subtext: Hollywood will flirt, wink, and fade to black, but it won’t surrender its authority. The bedroom is where people are free; the screen is where producers decide what freedom looks like.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Goldwyn, Samuel. (2026, January 15). I seriously object to seeing on the screen what belongs in the bedroom. FixQuotes. https://fixquotes.com/quotes/i-seriously-object-to-seeing-on-the-screen-what-151357/
Chicago Style
Goldwyn, Samuel. "I seriously object to seeing on the screen what belongs in the bedroom." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/i-seriously-object-to-seeing-on-the-screen-what-151357/.
MLA Style (9th ed.)
"I seriously object to seeing on the screen what belongs in the bedroom." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/i-seriously-object-to-seeing-on-the-screen-what-151357/. Accessed 22 Feb. 2026.







