"I shed many a tear when the steam engines went out of style on the railroads. I'd like to seem them come back, but I realize the diesels are more efficient"
About this Quote
Nostalgia, in Tombaugh's hands, isn’t a performance of anti-modernity; it’s a confession of temperament. The man who found Pluto - a triumph of painstaking, mechanized looking - admits he mourned the disappearance of steam engines, those loud, soot-black monuments to an older industrial romance. The line works because it holds two impulses in one breath: grief and concession. He doesn’t pretend the past was better. He just misses it anyway.
Steam is technology you can feel: pistons, valves, heat, the theatrical exhale at the station. Diesel is technology that wins by not announcing itself. Tombaugh’s “many a tear” isn’t really about locomotives; it’s about the cultural trade we keep making, over and over, when efficiency becomes the only metric that counts. Progress doesn’t just replace tools. It edits the sensory world. It takes away the smell of coal, the rhythm of labor, the spectacle of machinery doing visible work, and replaces it with smooth, optimized anonymity.
The subtext is especially sharp coming from a scientist. He models a kind of mature modernism: rigorous about facts, honest about feelings. “I’d like to see them come back” sounds childish until the next clause corrects it: “I realize...” That pivot is the adult voice of the 20th century itself, learning to live with the idea that what is best is not always what is beloved.
Steam is technology you can feel: pistons, valves, heat, the theatrical exhale at the station. Diesel is technology that wins by not announcing itself. Tombaugh’s “many a tear” isn’t really about locomotives; it’s about the cultural trade we keep making, over and over, when efficiency becomes the only metric that counts. Progress doesn’t just replace tools. It edits the sensory world. It takes away the smell of coal, the rhythm of labor, the spectacle of machinery doing visible work, and replaces it with smooth, optimized anonymity.
The subtext is especially sharp coming from a scientist. He models a kind of mature modernism: rigorous about facts, honest about feelings. “I’d like to see them come back” sounds childish until the next clause corrects it: “I realize...” That pivot is the adult voice of the 20th century itself, learning to live with the idea that what is best is not always what is beloved.
Quote Details
| Topic | Nostalgia |
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