"I started to realise that it wasn't for me. Perhaps I didn't have to give my Hamlet before I died, that the world might be an OK place without my Hamlet, in fact"
About this Quote
There is a quiet kind of rebellion in admitting you might never play Hamlet. McCormack frames the realization less as defeat than as relief: a deprogramming from the actorly bucket list, that inherited checklist of Great Roles you’re supposed to want if you’re serious. The line “give my Hamlet before I died” parodies the old conservatory mythology that artistry needs a capital-M Monument to be legitimate. By repeating “my Hamlet,” he punctures the ego at the center of that myth, as if the world has been waiting for his particular interpretation to complete the cultural record.
The humor is self-aware but not self-lacerating. “Perhaps” and “might” soften what could be a harsh renunciation; he’s not scorning Shakespeare, he’s loosening the noose of obligation. The kicker - “the world might be an OK place without my Hamlet” - is the rare entertainment-industry sentence that treats ambition as negotiable, not sacred. It also slyly re-centers the audience: art isn’t valuable because it confirms the artist’s seriousness, it’s valuable because it lands, because it meets a moment.
Contextually, coming from an actor whose fame is largely tied to contemporary television rather than classical theater, it reads like a comment on cultural hierarchy. There’s an unspoken awareness of gatekeeping: prestige is often coded as “Shakespeare or bust.” McCormack’s point isn’t that Hamlet is overrated. It’s that chasing symbolic validation can crowd out work that actually fits your voice - and that letting go can be its own kind of craft.
The humor is self-aware but not self-lacerating. “Perhaps” and “might” soften what could be a harsh renunciation; he’s not scorning Shakespeare, he’s loosening the noose of obligation. The kicker - “the world might be an OK place without my Hamlet” - is the rare entertainment-industry sentence that treats ambition as negotiable, not sacred. It also slyly re-centers the audience: art isn’t valuable because it confirms the artist’s seriousness, it’s valuable because it lands, because it meets a moment.
Contextually, coming from an actor whose fame is largely tied to contemporary television rather than classical theater, it reads like a comment on cultural hierarchy. There’s an unspoken awareness of gatekeeping: prestige is often coded as “Shakespeare or bust.” McCormack’s point isn’t that Hamlet is overrated. It’s that chasing symbolic validation can crowd out work that actually fits your voice - and that letting go can be its own kind of craft.
Quote Details
| Topic | Letting Go |
|---|---|
| Source | Help us find the source |
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