"I started writing, or rather, thinking, stories as a child, and at that time the reason was very clear"
About this Quote
There’s a neat self-correction baked into Sladek’s line: “writing, or rather, thinking.” It’s not coy; it’s diagnostic. He’s pointing to the private engine room of fiction, where stories begin as a coping mechanism, a game, a rehearsal for life, long before they become craft or career. By demoting “writing” to an afterthought, he elevates the mental act - the compulsive, solitary construction of narrative - as the real origin point. The page is just the receipt.
The second clause lands with quiet force: “and at that time the reason was very clear.” Adult writers are supposed to have refined motivations (art, truth, ambition), but Sladek suggests the opposite: childhood offers a brutal clarity we later lose under aesthetics, industry, and self-mythology. He doesn’t tell us the reason because the omission is the point; it invites the reader to supply something unglamorous and human: boredom, fear, loneliness, a hunger for control. The clarity is pre-literary. It’s need, not philosophy.
Context matters because Sladek’s work often treats rationality and language as slightly suspect machines - elegant, funny, and dangerous. In that light, this quote reads like an origin story for a writer drawn to speculative fiction’s core trick: building alternate systems to expose the hidden rules of the real one. The child “thinking stories” isn’t being whimsical. He’s running simulations.
The second clause lands with quiet force: “and at that time the reason was very clear.” Adult writers are supposed to have refined motivations (art, truth, ambition), but Sladek suggests the opposite: childhood offers a brutal clarity we later lose under aesthetics, industry, and self-mythology. He doesn’t tell us the reason because the omission is the point; it invites the reader to supply something unglamorous and human: boredom, fear, loneliness, a hunger for control. The clarity is pre-literary. It’s need, not philosophy.
Context matters because Sladek’s work often treats rationality and language as slightly suspect machines - elegant, funny, and dangerous. In that light, this quote reads like an origin story for a writer drawn to speculative fiction’s core trick: building alternate systems to expose the hidden rules of the real one. The child “thinking stories” isn’t being whimsical. He’s running simulations.
Quote Details
| Topic | Writing |
|---|
More Quotes by John
Add to List


