"I still have horrible luck with girls"
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A philosopher admitting “I still have horrible luck with girls” is quietly disarming because it punctures the genre we expect from philosophers: the sage who can explain the world, himself included. Bennett’s “still” does most of the work. It suggests a long experiment in self-improvement - years of thinking clearly, arguing precisely, maybe even becoming professionally adept at diagnosing other people’s confusions - and yet the same stubborn result in the messiest arena of all: romance. The line plays like a deadpan footnote to the Enlightenment project. Reason can map morality, language, mind; it can’t reliably get you a second date.
The phrase “horrible luck” is a strategic dodge and a confession at once. Calling it luck shifts agency outward, framing dating as random distribution rather than personal pattern. But “horrible” hints at repetition, the kind that starts to look less like chance and more like a narrative you can’t rewrite. That tension - contingency versus responsibility - is philosophical territory, slipped into a blunt, almost adolescent register.
“Girls” rather than “women” carries its own context: a generational tell, maybe even a mild self-incrimination. It keeps the speaker in the position of the boy who doesn’t quite know the rules, not the adult who owns his desires and misfires. The intent isn’t to moralize or self-mythologize; it’s to level. Bennett’s wit is that he refuses to aestheticize failure. He makes vulnerability sound like ordinary data: the mind can be brilliant, the heart still stubbornly unteachable.
The phrase “horrible luck” is a strategic dodge and a confession at once. Calling it luck shifts agency outward, framing dating as random distribution rather than personal pattern. But “horrible” hints at repetition, the kind that starts to look less like chance and more like a narrative you can’t rewrite. That tension - contingency versus responsibility - is philosophical territory, slipped into a blunt, almost adolescent register.
“Girls” rather than “women” carries its own context: a generational tell, maybe even a mild self-incrimination. It keeps the speaker in the position of the boy who doesn’t quite know the rules, not the adult who owns his desires and misfires. The intent isn’t to moralize or self-mythologize; it’s to level. Bennett’s wit is that he refuses to aestheticize failure. He makes vulnerability sound like ordinary data: the mind can be brilliant, the heart still stubbornly unteachable.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
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