"I still have to audition for most things"
About this Quote
The intent reads as both candid and strategic. Devine isn’t mythologizing herself as above the process; she’s underlining how the process is built. Auditions are framed as meritocratic, but her subtext suggests they often function as gatekeeping theater, a ritual that reassures decision-makers they’re “discovering” talent even when it’s standing right in front of them, résumé attached. Coming from a veteran Black actress, it also echoes a familiar industry pattern: prestige is unevenly banked. Some performers are treated as institutions; others are perpetually asked to reintroduce themselves.
Context matters here because Devine has been celebrated, awarded, and widely recognized. The quote’s sting is in its ordinariness. No outrage, no grand speech-just a plain sentence that exposes how normalization works. It’s a reminder that the churn of casting is not only about finding the right fit; it’s about who gets presumed right in the first place. The cultural resonance is its refusal of the fairy tale: longevity doesn’t exempt you from being evaluated, re-evaluated, and, too often, underestimated.
Quote Details
| Topic | Career |
|---|---|
| Source | Help us find the source |
| Cite | Cite this Quote |
Citation Formats
APA Style (7th ed.)
Devine, Loretta. (n.d.). I still have to audition for most things. FixQuotes. https://fixquotes.com/quotes/i-still-have-to-audition-for-most-things-161506/
Chicago Style
Devine, Loretta. "I still have to audition for most things." FixQuotes. Accessed February 1, 2026. https://fixquotes.com/quotes/i-still-have-to-audition-for-most-things-161506/.
MLA Style (9th ed.)
"I still have to audition for most things." FixQuotes, https://fixquotes.com/quotes/i-still-have-to-audition-for-most-things-161506/. Accessed 1 Feb. 2026.



