"I still haven't figured out how to have fun on a shoot"
About this Quote
There is something bracingly anti-glamour about admitting you do not know how to enjoy the very thing outsiders romanticize. Jim McKay, a journalist who spent decades turning live sport into national ritual, strips the job down to its core: a shoot is not a party, it is a responsibility with a clock attached.
The line works because it quietly reverses the expected emotional script. People assume cameras equal excitement, travel, access, adrenaline. McKay suggests the opposite: the closer you are to the event, the less you get to participate in it. Fun requires surrendering to the moment; journalism requires resisting that surrender. You are always monitoring the next question, the next shot, the next pivot when the story changes midair.
Subtext: professionalism as a kind of self-denial. McKay is confessing an internal boundary he never learned to relax. That can read as workaholic stoicism, but it also reads as ethics. If you are having fun, are you still paying attention? If you are enjoying the spectacle, are you still capable of seeing who gets hurt, who gets excluded, what the camera misses?
Context matters: McKay’s career includes sports’ highest highs and its darkest interruptions, most famously his on-air announcement of the Munich massacre in 1972. After you have had to narrate horror in real time, the idea of “fun on a shoot” can feel naive, even obscene. The sentence becomes a small memoir of a life spent staying alert when everyone else is allowed to cheer.
The line works because it quietly reverses the expected emotional script. People assume cameras equal excitement, travel, access, adrenaline. McKay suggests the opposite: the closer you are to the event, the less you get to participate in it. Fun requires surrendering to the moment; journalism requires resisting that surrender. You are always monitoring the next question, the next shot, the next pivot when the story changes midair.
Subtext: professionalism as a kind of self-denial. McKay is confessing an internal boundary he never learned to relax. That can read as workaholic stoicism, but it also reads as ethics. If you are having fun, are you still paying attention? If you are enjoying the spectacle, are you still capable of seeing who gets hurt, who gets excluded, what the camera misses?
Context matters: McKay’s career includes sports’ highest highs and its darkest interruptions, most famously his on-air announcement of the Munich massacre in 1972. After you have had to narrate horror in real time, the idea of “fun on a shoot” can feel naive, even obscene. The sentence becomes a small memoir of a life spent staying alert when everyone else is allowed to cheer.
Quote Details
| Topic | Work |
|---|---|
| Source | Help us find the source |
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