"I still like to play the blues more than anything else"
About this Quote
There is something quietly radical about the word still. In one small syllable, Christine McVie folds an entire career of radio polish, arena tours, and pop immaculateness into a confession of loyalty: beneath the harmonies that made Fleetwood Mac a machine for hooks, her emotional home base never stopped being the blues.
The line works because it refuses the mythology that “maturing” means outgrowing your roots. McVie isn’t posturing as a purist or issuing a manifesto; she’s gently re-centering authorship. In a band famous for interpersonal spectacle and narrative bait, the blues is her private north star - a form defined less by virtuoso flash than by feel, restraint, and the courage to repeat a simple truth until it lands. It’s also a subtle reminder that her songwriting strength was always rhythmic and conversational: those chords that seem effortless, those melodies that sound like they were already in the air.
Context matters. McVie came up in the UK blues circuit and joined Fleetwood Mac just as it pivoted from blues band to pop institution. Saying she “still” prefers the blues reads like an artist keeping a hand on the railing while the staircase keeps changing. It’s a claim about taste, yes, but also about identity: when fame turns your work into product, the blues becomes a way back to the human scale - the room, the groove, the unglamorous honesty that can survive any era.
The line works because it refuses the mythology that “maturing” means outgrowing your roots. McVie isn’t posturing as a purist or issuing a manifesto; she’s gently re-centering authorship. In a band famous for interpersonal spectacle and narrative bait, the blues is her private north star - a form defined less by virtuoso flash than by feel, restraint, and the courage to repeat a simple truth until it lands. It’s also a subtle reminder that her songwriting strength was always rhythmic and conversational: those chords that seem effortless, those melodies that sound like they were already in the air.
Context matters. McVie came up in the UK blues circuit and joined Fleetwood Mac just as it pivoted from blues band to pop institution. Saying she “still” prefers the blues reads like an artist keeping a hand on the railing while the staircase keeps changing. It’s a claim about taste, yes, but also about identity: when fame turns your work into product, the blues becomes a way back to the human scale - the room, the groove, the unglamorous honesty that can survive any era.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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