"I strive to be brief, and I become obscure"
About this Quote
Brevity, Gracian admits, is a power move that can backfire. In a single line he sketches the central dilemma of baroque intellect: the sharper you compress an idea, the more it risks turning into a private code. The intent isn’t to apologize for being hard to read; it’s to warn that elegance has a price. To “strive” implies discipline, even ambition: concision isn’t natural speech, it’s crafted. And crafted speech, in the wrong hands or at the wrong temperature, stops being communication and becomes performance.
The subtext is almost mischievous. Obscurity here isn’t merely a failure; it’s also a kind of social filter. If the sentence makes you work, it separates the attentive from the casual, the initiated from the crowd. That fits Gracian’s broader project in works like The Art of Worldly Wisdom: navigating status, secrecy, and influence in a world where saying less can protect you, but saying too little can make you unintelligible. The line reads like a Jesuit-era version of the modern “TL;DR” problem: compressing complexity into a slogan flatters the smart and alienates everyone else.
Context matters: seventeenth-century Spain prized conceptismo, a style that treated density as virtuosity. Gracian is both practitioner and critic of that aesthetic. The quote works because it’s self-implicating; it performs the very tension it names, terse enough to feel like a maxim, slippery enough to make you lean in.
The subtext is almost mischievous. Obscurity here isn’t merely a failure; it’s also a kind of social filter. If the sentence makes you work, it separates the attentive from the casual, the initiated from the crowd. That fits Gracian’s broader project in works like The Art of Worldly Wisdom: navigating status, secrecy, and influence in a world where saying less can protect you, but saying too little can make you unintelligible. The line reads like a Jesuit-era version of the modern “TL;DR” problem: compressing complexity into a slogan flatters the smart and alienates everyone else.
Context matters: seventeenth-century Spain prized conceptismo, a style that treated density as virtuosity. Gracian is both practitioner and critic of that aesthetic. The quote works because it’s self-implicating; it performs the very tension it names, terse enough to feel like a maxim, slippery enough to make you lean in.
Quote Details
| Topic | Wisdom |
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